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“She’s television generation, she learnt life from Bugs Bunny” muses William Holden in Network, as he confesses his affair with a younger woman to his long-suffering wife. Love it or hate it, television has shaped the way we see the world. And it has been used for years to engineer social change.
It is because of their values that the left has come to dominate the culture. While conservatives value objective facts, those on the left value narrative. This is an important distinction. People develop their worldview based on the stories they are told, not the facts that are presented to them. And while conservatives choose to focus on facts, the left is creating the narrative references that define the world we live in.
As a consequence, left-wing assumptions have come to dominate film and television. And, by extension, it is these assumptions that create the parameters for public discourse. It was through the positive depiction of gay characters in shows like Will and Grace that homosexual relationships came to be more widely accepted. It would be difficult to argue that such depictions played no role in the public’s acceptance of gay marriage. Today shows like Orange is the New Black presents sympathetic transgender characters in an attempt to engineer public acceptance of transgenderism. The left produces television shows and movies that are anti-capitalism, anti-Christian, and anti-West. Unfortunately, the right fails to produce television shows and movies in their defence.
The left embeds its messages through seemingly innocuous narratives and likeable characters. Otherwise morally reprehensible and disagreeable characters are presented in a sympathetic light. By doing this, the creators of these characters are able to coax us into accepting things we otherwise would not. Max Black, one of the protagonists of Two Broke Girls, is a rude, unmotivated, and immoral drug and alcohol user, but she is presented to the audience as a positive role model for women.
Television’s primary power lies in the fact that it allows individuals and organisations to manipulate images, facts, and stories to suit their own purposes. It is through the distortion of facts, impelling narratives, and the creation of morally reprehensible yet sympathetic characters that those who control television have been able to manipulate the public. Whether or not this trend will continue with the advent of the internet is yet to be seen.
Knowles asks the viewer to consider the difference between an illegal immigrant and an undocumented immigrant, or the difference between a Christmas tree and a holiday tree. The answer, he tells us, lies in semantics. It is not the objects in themselves that are different, but the words used to define and describe them.
The manner in which we define and describe different things has a powerful effect on the way we view them. Our thoughts are processed and articulated through words. And it is through this articulation that our worldview is formed.
Language, therefore, is a vital cornerstone of civilisation. When it is used properly, it leads people towards truth and reason. But when it is abused, it leads people towards lies and irrationality.
The Judeo-Christian tradition is based upon written and verbal articulation. God’s first act of creation is the verbal commandment “let there be light.” Moses is commanded to write down the Ten Commandments. And Jesus Christ, the Messiah, is described as “the word of God made flesh.”
The left has come to realise that they can use language to manipulate the way people think. Through their domination of academia, culture, and media has ensured that it is their definitions and descriptors are the ones accepted within the larger culture.
The left controls language by using euphemisms to distort and obscure facts. These euphemisms make it easier for lies to be accepted by the larger populace.
Through their perversion of language, the left has all-ready been able to engineer significant social change. Would society have accepted gay marriage had it not been deviated from its original definition of the union of husband – man – and wife – woman? And would society have been so ready to accept abortion if those being killed were referred to as unborn babies and not as foetuses?
And the left continues to use language as a means to engineer social change. They refer to policies that favour groups based upon arbitrary factors such as race, gender, or sexuality as “social justice.” But to be just means to have “the quality of being fair and reasonable.” In reality, there is nothing just about the policies that comprise “social justice.”
Likewise, policies that unfairly favour non-white, non-male, and non-heterosexual individuals in academia and the workforce is referred to as, alternatively, positive discrimination and affirmative action. In reality, such practices are discrimination.
Intellectual conformity is enforced in the name of “diversity”, opposing points of views are censored in the name of “tolerance”, and voices of dissent are silenced because they are dismissed as “hate speech.”
When you control the words, you control the culture. And when you control the culture, you control the future of a civilisation.
Culture is more important than politics. However, in the hierarchy of priorities, many conservatives rank it somewhere between checking their privilege and meeting diversity and inclusion quotas. They simply do see it as being of any importance.
Conservatives mistakenly believe that the culture is less important than politics and economics. In their mind, culture is akin to leisure, something that is relegated to times to relaxation. However, as the late Andrew Breitbart (1969 – 2012), was fond of pointing out: politics is downstream of culture. It is culture – art, film, theatre, literature, sports, video games, news media, and comic books, among other things – that informs public opinion long before policy is announced to the public or even made.
The left has realised this. They have made it a key aspect of their long-term strategy to dominate the culture and exclude conservatives. It has spent decades infiltrating the halls of culture, politics, and academia with little to no opposition from conservatives who, much to their detriment, have failed to realise the importance of these institutions.
To understand the importance of culture it is necessary to understand what culture is. Culture communicates ideas through art, literature, literature, film, and so forth. It is from culture that ideas and beliefs are popularised or dismissed. And it is from culture that our worldview is formed.
The difference between left-wing culture and right-wing culture is that left-wing culture expresses false ideas, whilst the ideas expressed by right-wing culture tend to be truthful.
Just take a look at conservative art compared with left-wing art. Left-wing art champions communism: a political ideology that has killed and enslaved tens-of-millions of people, Conservative art champions Christian values, honour, patriotism, love, and freedom. The Brady Bunch featured a two-parent family (admittedly blended, but that doesn’t really matter) and espoused the virtues of duty, honour, and responsibility whereas a show like Gilmore Girls glorified single motherhood and self-centredness.
If conservatives wish to promote good and truthful ideas, they must be prepared to invest more in the culture. They must be prepared to create businesses, establish grants, and more in order to finance and distribute conservative art. In doing so, they can prevent left-wing censorship and can ensure that good, truthful ideas continue to be promoted.
Since the Industrial Revolution, scientific and technological development has progressed at an unfathomable rate. In a little over a quarter-of-a-millennium, the Western world has gone from a superstitious, agrarian society to a scientifically and technologically sophisticated one. The price of this remarkable achievement has been our alienation from the ‘dream world.’ We have lost our sense of wonder, our sense that there is something more substantial to existence than just mere crude matter.
The lack of spirituality among modern man is largely the result of an overreliance on materialism. For the philosophically challenged, ‘materialism’ is not a reference to consumerism, but to the philosophical position that regards physical matter as the fundamental substance of nature. Philosophical materialism posits that everything, including human thought and the course of history, comes as the result of physical forces. This is a philosophy which has no room for the soul, for divinity, or for God.
Philosophical materialism likely harkens back to the pre-Socratic philosophers. Epicurus, for example, believed the universe consisted of invisible and indivisible free-falling atoms that randomly collide with the world. For all intents and purposes, however, it is the Ancient Greek philosopher, Democritus (c. 460BC – c. 370BC) who is credited with the invention of philosophical materialism within the Western tradition. Democritus formulated the theory that the world was composed of ‘atoms’ – invisible chunks of matter – existing in empty space. He theorised that these microscopically small atoms would interact with one another by impacting or hooking up. Change occurs when the configuration of these atoms is altered.
In modern philosophy, materialism is referred to as a category of metaphysical theories. The French philosopher, Baron d’Holbach’s (1723 – 1789) book, Système de la Nature ou Des Loix du Monde Physique et du Monde Moral (1770) (The System of Nature, or the Laws or the Moral and Physical World) argued that everything that occurs, down to human thought and moral action, comes as the result of a causal chain that has its roots in atomic motion. The book was condemned by King Louis XVI (1754 – 1793), meaning that it was the job of the hangman to locate every copy and cut it to pieces on the beheading block.
The modern world likes to see itself as fundamentally materialistic. Being seen as “practical”, “realistic”, or “down to earth” is considered by many to be a great compliment. However, this view is largely mistaken. In reality, it is ideas, referring to the ability to think and feel and imagine, and the ability to implement them that has truly made the human race what it is. In a letter to Guillaume Gibieuf (1538 – 1650), the French philosopher, René Descartes (1596 – 1650) wrote: “I am certain I have no knowledge of what is outside me except by means of the ideas I have within me.”
It would be a great mistake, then, to suppose that human beings are naturally rational or civilised creatures. In reality, people are far more irrational, crazy, and destructive than we like to think. Modern science is really only a few hundred years old, having its roots with Francis Bacon (1561 – 1626), Rene Descartes, and Isaac Newton (1642 – 1727). Therefore, the basis for modern society is not, as often supposed, science, but religion. This is evidenced by two facts. First, the existence over thousands of years of civilisations that have their basis in religion, not science. These societies and their corresponding religions include the Japanese and Shintoism, the Chinese and Buddhism, the Middle East and Islam, and the West and Christianity. And second, by the numerous anti-science movements (most notable in today’s world are the social constructionists) that have come to the public’s attention in recent years. We are able to live in an orderly and rational manner because we live in a society that has moral rules and legal boundaries, not because it is something that comes naturally to us
The relationship between the mental and physical worlds was of great interest to the Swiss psychologist, Carl Jung (1875 – 1961). Influenced by the German Idealist School, Jung believed that “metaphysical assertions… are statements of the psyche.” He would comment: “it is the soul which, by the divine creative power inherent in it, makes the metaphysical assertion; it posits the distinction between metaphysical entities. Not only is it the condition of all metaphysical reality, it is that reality.” The central idea behind Jung’s metaphysical system was that:
“The premise that all psychological processes are necessarily conditioned on innate universal structures of subjectivity that allow for human experiences to transpire, and that these processes participate of a greater cosmic organising principle that transcends all levels of particularity or individuality.”
– Jon Mills, Jung’s Metaphysics
In his function as a psychotherapist, Carl Jung observed that western men and women often suffered from debilitating feelings of inadequacy, hopelessness, and insignificance. He believed that this was caused by a kind of spiritual problem that, even today, threatens the stability and liberty of our society. The result is that we limit ourselves only to what is socially and economically attainable. As Carl Jung wrote:
“Man feels isolated in the cosmos. He is no longer involved in nature and has lost his emotional participation in natural events, which hitherto had symbolic meaning for him. Thunder is no longer the voice of a god, nor is lightning his avenging missile. No river contains a spirit, no tree makes a man’s life, no snake is the embodiment of wisdom and no mountain still harbours a great demon. Neither do things speak to him nor can he speak to things, like stones, springs, plants and animals.”
– Carl Jung, The Earth Has a Soul
Jung noted that this problem, and the consequences associated with it, correlated with the declining influence of Christianity in the Western world and the rise of mass urbanisation that came as a result of the Industrial Revolution. As the individual surrounded himself with more and more people, his feelings of insignificance increased. The result is individuals who are highly insecure, unstable, and highly suggestible. Furthermore, the rational and scientific mindset that rose to prominence during the Enlightenment has also fooled many politicians and social reformers into believing that the same measures can be used to address social and political problems. The existence of the totalitarian systems such as fascism and communism, genocides, and mass murders that characterised the Twentieth Century stand as testaments to this reality.
The problems the West faced during the twentieth century are almost entirely spiritual by nature. The communists killed tens of millions of people in an attempt to achieve a worker’s paradise, the Cold War was as much a battle between opposing worldviews as it was one of political and economic differences, and one would have to be blind not to notice the religious overtones present in Nazism. Even today, the conflict between Western civilisation and fundamental Islam can be seen as having profound religious overtones.
Jung believed that the unconscious mind could be split into two distinct categories: the personal unconscious and the collective unconscious. The contents of the personal unconscious is comprised of both instincts (Triebe) and archetypal or primordial images. It merely refers to the memories, emotions, and knowledge that have generally been conscious but have become repressed over time. By contrast, the collective unconscious, one of Jung’s most misunderstood concepts, is distinguishable from the personal unconscious in that it is manifested separately and is therefore not a personal acquisition. It symbolises universal culture: the anthropological images, practices, edicts, traditions, mores, social norms, values, and beliefs that embodies a culture or mythos. The collective unconscious, therefore, symbolises the space that human-beings exist in.
Dreams are considered to have great psychological significance. They use mythological narratives to allow us to naturally express our unconscious fears and desires. The average person dreams between three to six times per night with each dream lasting between five and twenty minutes. Jeffrey Sumber, a clinical psychologist, has spent years studying dream mythology at Harvard University and Jungian dream interpretation at the Jung Institute in Zurich, Switzerland. Sumber argues that dreams bridge the unconscious mind with the conscious mind. “Dreaming is non-essential when it comes to survival as a body”, Sumber concluded, “but is essential with regards to our development and evolution as metaphysical beings.”
Active imagination exists to give a voice to the anima, animus, shadow, and other areas of the personality that do not typically hold our attention. When the individual engages his active imagination, let’s say through painting or writing, there is a transformation of consciousness. As Carl Jung wrote in The Conjunction:
“Although, to a certain extent, he looks on from outside, partially, he is also an acting and suffering figure in the drama of the psyche. This recognition is absolutely necessary and marks an important advance. So long as he simply looks at the pictures he is like the foolish Parsifal, who forgot the ask the vital question because he was not aware of his own participation in the action. But if you recognise your own involvement you yourself must enter into the process with your personal reactions, just as if you were one of the fantasy figures, or rather, as if the drama being enacted before your eyes were real.”
The collective unconscious manifests itself most greatly through mankind’s proclivity for telling stories. As the clinical psychologist and cultural critic, Jordan Peterson (1962 – ) explains, story-telling is an ancient and innate aspect of human nature:
“You know, we’ve been collecting stories as people we don’t know how long – hundred thousand years, maybe. There’s been creatures like us, indistinguishable from us, for a hundred thousand years. And we know that societies that appear more or less as archaic as those old societies tell stories, have rituals, have mythology. What do they mean? What are they good for? Well, imagine this: you tell a story to your husband or your wife about something interesting that you saw. Well, imagine that you could collect a thousand of the most interesting stories. And then imagine that you were some kind of literary genius like Shakespeare and you could take those thousand interesting stories and boil them down to a hundred really interesting stories. And then imagine that you had ten thousand years to gather up those most interesting stories and average them and you could come out with one perfect story: the best story, the most interesting story you could possibly tell. Well, that’s what a myth is. It’s the most interesting story you could possibly tell. Virtually every story you ever see has a mythological structure, that’s why it’s compelling to you. And when you meet someone who is charismatic or who holds your attention or who you’re interested in, the probability that they’re acting out a mythological fragment is very, very high. That’s why it is that your attention is captivated by them.”
Myths are really psychological in nature, even though they are typically misread as biographical or even historical. Myths, much like dreams, emanate from the unconscious thoughts and emotions and gives a voice to the innermost fears and desires that underlie most of our behaviour.
The purpose of mythology is to provide the individual with a mirror which he can use to assess himself and his relationship with the wider world. It exists to provide the individual with a sense of history and of his place within the cosmos. Whereas the world of fiction has to work in an alternative reality where the facts of that universe are considered irrefutable and correct, mythology works by taking the metaphorical or metaphysical-cum-spiritual truths of existence and gives them voice and meaning through the medium of a story. Therefore, it is not how factually true a mythological story may or may not be that is important, but the metaphorical truths it imparts on the reader.
There can be little doubt that the modern world has produced marvels. The price of these remarkable achievements has been a form of perverse arrogance in which modern man likes to believe he is somehow a different, more rational, creature than his ancestors. The price for our arrogance has been the loss of our sense of something more substantial and wonderous than ourselves. As a result, people limit themselves only to that which is socially and economically attainable. Seeing ourselves as eminently rational and pragmatic creatures we have managed to produce a world where the individual feels worthless and insignificant. What is required is a revitalisation of the dream world. A return to the knowledge that it is ideas, our ability to give a voice to those aspects of our personalities that lie dormant, and to venture out into the chaotic unknown and return triumphantly that makes human beings great.
Everyone versed in culture and politics understands the truth in Percy Bysshe Shelley’s (1792 – 1822) argument that creators of culture are the “unacknowledged legislators of the world.” Our view of the world is derived from our religious beliefs, the stories we read as children, the movies we watched, the cultural customs we become accustomed to, and so forth. It is not that culture constructs the physical edifices of civilisation per say, but that culture forms the values and philosophies upon which civilisation is founded.
In the west, the prevailing cultural narrative champions wholesome virtues: kindness, compassion, love, fair-play, and so forth, as being the only way to achieve prosperity and success. The individual must avoid combat with others, and be polite, civil, pleasant, and diplomatic to all. To be seen using aggression or wanting power leads to social isolation. This has certainly been the message in culture. In Shakespeare’s Richard III, the title character is a corrupt, twisted, and Machiavellian prince who schemes his way into power. By contrast, the future Henry VII is seen to be fair and humane. By the end of the play, Richard dies hated even by members of his own family, whereas Henry is celebrated as a noble hero.
This worldview bears little resemblance to reality:
“The manner in which we live, and that in which we ought to live, are things so wide asunder, that he who quits the one to betake himself with the other is more likely to destroy than to save himself; since anyone who would act up to a perfect standard of goodness in everything, must be ruined among so many who are not good. It is essential for a prince who wishes to maintain his position, to have learned how to be other than good, and to use or not to use his goodness as necessity requires.” (Niccolo Machiavelli, The Prince, 1532, Chapter 15, page 114)
Bubbling just below the surface are the real, amoral virtues which foster prosperity and success. In Beyond Good and Evil (1886), Friedrich Nietzsche (1844 – 1900) puts forth the following proposition:
“Suppose nothing is given as ‘real’ except our world of desires and passions, and we could not get down, or up, to any other ‘reality’ besides the reality of our drives.” (Beyond Good and Evil, page 59).
Maybe we aren’t as driven by morality and Godliness as we like to think we are. Maybe we are driven by lust for power, material wealth, and sex. (This, of course, brings forth the possibility that the purpose of wholesomeness is to temper our real desires).
Even though we loathe having to admit it, all of us want power. Power gives us greater control and makes us feel more secure. But since it is socially unacceptable to be seen wanting power we are forced to rely on subtlety. We are forced to become honest on the one hand, and duplicitous on the other, congenial yet cunning, democratic yet devious.
In chapter twenty-one of the Prince, Machiavelli (1469 – 1527) wrote: “Nothing makes a prince so well thought of as to undertake great enterprises and give striking proofs of his capacity.” Our civilisation was built through ambitious and power-hungry individuals. Not by the wholesome virtues presented to us.