King Alfred Press

Home » Posts tagged 'tv shows'

Tag Archives: tv shows

Conservatives Don’t Care About Culture, Maybe It’s Time They Started To

man-repeller-erica-smith-pop-culture-shit-2017-1272x848

Culture is more important than politics. However, in the hierarchy of priorities, many conservatives rank it somewhere between checking their privilege and meeting diversity and inclusion quotas. They simply do see it as being of any importance.

Conservatives mistakenly believe that the culture is less important than politics and economics. In their mind, culture is akin to leisure, something that is relegated to times to relaxation. However, as the late Andrew Breitbart (1969 – 2012), was fond of pointing out: politics is downstream of culture. It is culture – art, film, theatre, literature, sports, video games, news media, and comic books, among other things – that informs public opinion long before policy is announced to the public or even made.

The left has realised this. They have made it a key aspect of their long-term strategy to dominate the culture and exclude conservatives. It has spent decades infiltrating the halls of culture, politics, and academia with little to no opposition from conservatives who, much to their detriment, have failed to realise the importance of these institutions.

To understand the importance of culture it is necessary to understand what culture is. Culture communicates ideas through art, literature, literature, film, and so forth. It is from culture that ideas and beliefs are popularised or dismissed. And it is from culture that our worldview is formed.

The difference between left-wing culture and right-wing culture is that left-wing culture expresses false ideas, whilst the ideas expressed by right-wing culture tend to be truthful.

Just take a look at conservative art compared with left-wing art. Left-wing art champions communism: a political ideology that has killed and enslaved tens-of-millions of people, Conservative art champions Christian values, honour, patriotism, love, and freedom. The Brady Bunch featured a two-parent family (admittedly blended, but that doesn’t really matter) and espoused the virtues of duty, honour, and responsibility whereas a show like Gilmore Girls glorified single motherhood and self-centredness.

If conservatives wish to promote good and truthful ideas, they must be prepared to invest more in the culture. They must be prepared to create businesses, establish grants, and more in order to finance and distribute conservative art. In doing so, they can prevent left-wing censorship and can ensure that good, truthful ideas continue to be promoted.

FRANKENSTEIN

ecfb29c874a35d7256c8bdbd4fa8868d0dc96e89e967488b685ad20e8f623f63

This week for our culture article we will be looking at Mary Shelley’s (1797 – 1851) 1818 Gothic masterpiece, Frankenstein; or, the Modern Prometheus. The story that gave rise to countless plays, radio-shows, TV shows, movies, video games, and created one of the most iconic characters in horror.

BACKGROUND

220px-rothwellmaryshelley

Mary Shelley was inspired to write Frankenstein whilst touring Europe with her future-husband, Percy Bysshe Shelley (1792 – 1822), in 1814. On the Rhine, they visited Castle Frankenstein where they were told a ghoulish story about a mad alchemist who had attempted to resurrect corpses two centuries prior.

Two years later, in the summer of 1816, the Shelleys travelled to the Swiss Alps but were forced to stay in their lodgings due to bad weather. (1816, for anyone who is interested, was known as ‘the Year Without Summer’ – an event caused by the eruption of Mount Tambora in 1815).

There, joined by Lord Byron (1788 – 1824), they amused by reading Fantasmagoriana, a book of German ghost stories that had been translated into French. Byron suggested they all put pen to paper and see who could write the best ghost story.  Shelley, much to her dismay, was unable to think of a story. Then one night, after they had all gone to bed, Shelley had a waking dream:

“I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of  any human endeavour to mock the stupendous mechanism of the Creator of the world.”

Initially, Shelley only thought her dream only gave her enough material for a short story. However, she was encouraged by Percy Bysshe Shelley to turn it into a fully fledged book. Setting herself to this task, Shelley finished writing her story in April/May 1817. It was picked up by publishers Lackington, Hughes, Harding, Mavor, and Jones and published in January of 1818.

ANALYSIS

90593-050-46b902f1-1024x753

In one sense, Frankenstein is a cautionary tale. By using Victor Frankenstein and his creation as an example, Shelley’s classic tale warns us of the dangers of interfering with the world’s natural order. There are things in this world, Frankenstein tells us, that are beyond our ability to understand, and which are better left alone.

Both Victor Frankenstein and his creation are tragic figures. For Victor, it is ultimately his obsession with Natural Philosophy (that’s the archaic name for the sciences), his passion, and his unchecked ambition that lead to his downfall. In trying to play God, Victor creates the catalyst for his own doom. In the end, it is his remorse, shame, and burning hatred that destroy him.

Similarly, Victor’s creation is also destroyed by his hatred. This hatred, however, is not borne of remorse or shame, but of rejection. Victor’s creation is intelligent and articulate. He desires human companionship, but, due to his hideous appearance and massive size, finds people to be cruel and unwelcoming. Even Victor himself fails to see his creation as adequately human, not even bothering to give him a name (Victor’s creation is referred to as ‘wretch’, ‘monster’, ‘creature’, daemon’, ‘devil’, ‘fiend’, and ‘it.’) Ultimately, it is this rejection that leads Victor’s creation to destroy not only Victor Frankenstein, but also himself.

Frankenstein is ultimately a tale of what happens when we fail to see others as human. It reminds us of the limitations of human endeavour, and what may happen when we surpass those limitations. But, more importantly, it reminds us of the importance of love and compassion.