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A Man For All Seasons

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It is a rare occurrence to see a film that is so memorable that it implants itself on the human psyche. A film that contains such a captivating story, compelling characters, and profound themes occurs so rarely it becomes etched into our collective unconscious. A Man for All Seasons is one of those films.

Set in Tudor England during the reign of King Henry VIII (1491 – 1547), A Man for All Seasons tells the story of Henry’s divorce from Catherine of Aragon (1485 – 1536), the birth of the Church of England, and the man who stood opposed to it.

During the 1530s, King Henry VIII broke away from the Catholic Church, passed the Act of Succession (which declared Princess Mary (1516 – 1558), the King’s daughter with Catherine, illegitimate) and the Act of Supremacy (which gave Henry supreme command over the Church in England), and made himself the Supreme Head of the Church of England.

In A Man for All Seasons, Henry asks Sir Thomas More (1478 – 1535) to disregard his own principles and express his approval of the King’s desire to divorce his wife and establish an English Church separate from Rome. Henry believes that More’s support will legitimise his actions because More is a man known for his moral integrity. Initially, Henry uses friendship and dodgy logic to convince his friend. It fails, and the so-called “defender of the faith” tries using religious arguments to justify his adultery.  When this fails, he merely resorts to threats. Again, More refuses to endorse Henry’s actions.

A Man for All Seasons is really about the relationship between the law (representing the majesty of the state) and individual consciousness. In the film, Sir Thomas More is depicted as a man with an almost religious reverence for the law because he sees it as the only barrier between an ordered society and anarchy. In one scene, when William Roper the Younger (1496 – 1578) tells him he would gladly lay waste to every law in order to get at the devil, More replies that he would “give the devil benefit of law for my own safety’s sake.”

More’s reverence goes far beyond mere man-made law, however. He also shows a deep reverence for the laws of God, as well. After being sentenced to death, More finally breaks his silence and refers to the Act of Succession, which required people to recognise Henry’s supremacy in the Church and his divorce from Catherine of Aragon, as “directly repugnant to the law of God and His Holy Church, the Supreme Government of which no temporal person may be any law presume to take upon him.” More argues that the authority to enforce the law of God was granted to Saint Peter by Christ himself and remained the prerogative of the Bishop of Rome.

Furthermore, More argues that the Catholic Church had been guaranteed immunity from interference in both the King’s coronation oath and in Magna Carta. In his coronation oath, Henry had promised to “preserve to God and Holy Church, and to the people and clergy, entire peace and concord before God.” Similarly, the Magna Carta stated that the English people had “granted to God, and by this present charter confirmed for us and our heirs in perpetuity, that the English Church shall be free, and shall have its rights undiminished, and its liberties unimpaired.”

The central problem of the film is that the legal and political system in England is incapable of allowing More to hold a contradictory, private opinion. Even before he is appointed Chancellor, More expresses no desire to get involved with the debate surrounding the King’s marriage. He will not, however, swear an oath accepting the King’s marriage or his position as the head of the Church of England. More believes that it is the Pope who is the head of the Church, not the King, and he is perfectly willing to sacrifice his wealth, family, position, freedom, and, ultimately, his life to retain his integrity.

The relationship between the law and an individual’s conscience is an important one. What A Man for All Seasons illustrates is just how important this relationship is, and what happens when this relationship is violated. Modern proponents of social justice, identity politics, and political correctness would do well to watch A Man for All Seasons.

ON WAR

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The evolutionary psychologist E.O. Wilson referred to war as “humanity’s hereditary curse.” It has become infused in our collective and individual psyches. The Iliad tells the story of the Trojan War, Shakespeare’s Henry V is centred around the Battle of Agincourt, and All Quiet on the Western Front tells of the experiences of young German soldiers on the Western Front.

The purpose of war can be split into two fields: philosophical and pragmatic. Most modern wars are fought for ideological, and therefore philosophical reasons: capitalism versus communism, fascism versus democracy, and so forth. Richard Ned Lebow, a political scientist at the University of London, hypothesised that nations go to war for reasons of ‘national spirit.’ Institutions and nation-states may not have psyches per-say, but the individuals who run them do, and it is natural for these individuals to project the contents of their psyches onto the institutions and nation-states they are entrusted with.

Rationalists, on the other hand, have another perspective. War, they argue, is primarily used by nations to increase their wealth and power: allowing them to annex new territories, take control of vital resources, pillage, rape, and so forth. Bolshevism arose in the political instability and food shortages of World War One Russia. The Nazis used the spectre of Germany’s humiliating defeat in the Great War and its treatment in the Treaty of Versailles as a stepping stone to political power. In the Ancient World, Sargon of Akkad (2334-2279BC) used war to form the Akkadian Empire, and then used war to quell invasions and rebellion. Similarly, Philip II of Macedonia (382BC – 336BC) used war to unify the city states of Ancient Greece.

Another explanation may be that we engage in war because we are naturally inclined to. War speaks to our need for group identity, and to our deep predilection for conflict. And it should come as no surprise that the two are not mutually exclusive. Our strong predilection towards our own group not only makes us more willing to help other members of that group, it makes us more willing to commit evil on its behalf. Chimpanzees have been known to invade other congresses of chimps and go on killing sprees. The obvious intention being to increase territory and decrease intra-sexual competition. Similarly, our own evolutionary and primitive past is fraught with violence and conflict. It should not escape our attention that history is abundant with examples of invading soldiers slaughtering men and raping women.

Like all the profound aspects of culture, war conceptualises a facet of a deeper truth. It has been central to our history and culture capturing both the more heroic and the more frightening aspects of our individual and collective psyches. We both influence and are influenced by war.