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SORRY PRO-CHOICERS, ABORTION IS OBVIOUSLY WRONG
In March of 2015, a Coloradan woman, Michelle Wilkins, was lured to a meet-up arranged on Craigslist and brutally attacked. During the attack, Wilkins, who was seven months pregnant, had her unborn child cut from her body. Wilkins survived the attack but, sadly, her child did not. And, as if to add insult to injury, Wilkin’s unborn child was not recognised as human under Coloradan law.
Legal abortion – which I will define as the state approved murder of an innocent life – is a barbarity no civilised society should tolerate. As the Canadian clinical psychologist and YouTube sensation, Jordan Peterson (1962 – ) commented, “abortion is clearly wrong. You wouldn’t recommend someone you love have one.”
However, this is not to say that abortion isn’t a deeply complex and emotive issue. On the one hand, it is a procedure often used by desperate or easily persuaded women who feel that aborting their unborn child is the only option open to them (which it very rarely is). On the other hand, it is a form of murder cynically exploited by feminist extremists for political purposes.
Pro-choice proponents have several arguments in favour of total and free access to abortion.
The first argument, and the one that carries the greatest degree of credibility, concerns the health of the mother and her ability to safely carry a child to term. The Washington Post, for example, reported a story about an Indian girl who had been repeatedly raped and eventually impregnated by her uncle. An abortion was performed when it was decided she was too young to carry her child to term.
In all honesty, this is a sentiment which I have a great deal of sympathy for. It is very difficult for a woman to be a mother if she is dead, and it would be as wrong to sacrifice the life of the mother for the child as it would be to sacrifice the life of the child for the sake of the mother.
But the argument that abortion is necessary when the health of the mother is in jeopardy does not necessarily translate into the full, absolute, and unquestionable right to abortion. It is merely an argument for the preservation of the life of the mother.
The second argument concerns the health of vitality of the child itself. Often, however, this kind of argument is often used as a disguise for a desire to engage in eugenics. Claiming that a child with down syndrome should be aborted, for example, is the same as saying that people afflicted with certain maladies should not be afforded the same right to life as everybody else.
The third argument concerns instances where pregnancy has been instigated through an act of rape or incest. Whether or not rape should be sufficient grounds for an abortion is a tricky one to grapple with. On the one hand, the mother did not choose to be placed in the situation she has found herself in. And, by extension, birthing, and most probably raising, a child borne of rape may prove to be an insurmountable emotional turmoil for the mother. On the other hand, however, the child did not choose to be conceived through rape, and it is immoral to punish an innocent person for the crimes of another.
In reality, however, the rape justification for abortion is merely a red herring. It is a backdoor method for justifying the total, absolute, and unquestionable access to abortion.
The fourth argument concerns the idea that a woman has the right to abort her unborn child because she has the absolute right to bodily autonomy. In Texas last year, Judge Earl Leroy Yeakel III (1945 – ) overturned Senate Bill Eight which prevented doctors from performing evacuation and dilation abortions by mandating that a child’s heart must stop beating before the procedure can be performed. Yeakel claimed that the decision to abort a child outside the womb is “solely and exclusively the woman’s decision.”
This is the easiest argument to refute. An abortion does not only affect a woman’s body, it also destroys the life of a separate, innocent human being. Furthermore, the right to choose when to have a family is one shared by all people up to a point. A man has the right to wear a condom, he can have a vasectomy, and so forth. Likewise, a woman has every right to use contraceptive birth control, a diaphragm, a female condom, a cervical cap, an intrauterine device, and more. Couples can even refrain from having sex. But the right to family planning ends the moment a child has been conceived.
The fifth argument, and the one that is the most egregious, is the argument that an unborn child does not count as a human life. Much of this is the result of language. We use Latin words like “foetus” and “embryo” to fool ourselves into believing an unborn child is not a human being.
Therein lies the rub. People have always justified evil and immorality by altering the parameters of their morals to suit themselves. People have always justified murder by claiming that the person they are killing is not human. They may argue, for example, that murder is wrong, but that they are justified in aborting their unborn child because they do not see that child as human.
And the biological and physiological question of whether the unborn child is a human being is, without any shadow of a doubt, yes.
This is the case right down to the genetic level. Virtually every cell in our bodies contains thirty thousand or more different genes that are spread out on long strands of DNA known as chromosomes. Now DNA is very special. It is the chemical building block that makes us who we are. It determines whether or not we will go bald, what our eye and hair colour will be, how tall we will be, and much more besides.
If there is anything that DNA is good at it’s replicating itself. This can occur in two ways. At the most basic level, DNA replicates itself through cloning. At the most complex, one set of DNA merges with another set of DNA through sexual intercourse. And in doing so it creates an entirely unique individual.
But how can it do this safely? The answer lies in a process known as meiosis. When the human body makes sex gametes – sperm and ovum – it does so by making a copy of a previous cell. When it does this it keeps itself attached at one point and then condenses to make an ‘X’ shape. The four chromosomes then embrace and transfer some of their genetic material to each other. Finally, the cell split twice to create new sperm or ovum that carries a unique genetic package.
In other words, every sperm cell and every ovum carry a set of chromosomes that has never existed before and will never exist again.
Human beings have a grand total of forty-six chromosomes or twenty-three pairs. The moment a child has been conceived a full set of these chromosomes, known as a diploid, is established. It will receive twenty-three chromosomes from its father and twenty-three chromosomes from its mother.
The average pregnancy lasts between thirty-seven and forty-two weeks. During this time the child growing inside a woman’s body will go through all kinds of wonderful and miraculous changes. At three weeks, it’s brain, heart, gastrointestinal tract, and spinal cord have begun to form. By the fourth and fifth weeks, the heart is pumping rudimentary blood through the child’s veins with a steady rhythm. By the sixth week, the child’s fingers and toes have begun to form, and the child’s heartbeat can now be detected. By the end of the second month, all the child’s essential organs have begun to form.
And there’s still another seven months to go! By the fourteenth to sixteenth weeks, the child will begin to move around, its liver and pancreas will have begun to secrete fluid, and its fingerprints will begin to form. By the seventeenth to the twentieth week, the mother will be able to feel her child moving around inside her, it’s heartbeat will be detectable via a stethoscope, and its fingernails, toenails, eyebrows, and eyelashes will have started to grow.
By the twenty-fourth through to the twenty-sixth week, the child’s brain will be rapidly developing, the nervous system will be developed to a sufficient enough degree to give the child some control, albeit minutely, over its own movements, it will have developed a startle reflex, and its sleeping cycles will be perceptible to the mother. A child born at this stage can survive outside the womb with the assistance of modern medical technology. By the thirty-third to thirty-sixth week, the child will shift into the birthing position and will rapidly put on weight. Within weeks, a fully formed human being will be born.
Any discussion about abortion must begin with the scientific truth that an unborn child is a human life. Only after that truth has been acknowledged can factors like the health of the mother, the vitality of the child, cases of rape and incest, and bodily autonomy can be considered. The preservation of innocent life is the most important responsibility for every person living in a free society. The way we respond to this issue will define us for decades to come.
THE DECLINE OF VIRTUE
It is a great pity that the Latin language is now considered dead. Through its death, we have lost many of the Latin words, expressions, and maxims that provided us with great wisdom and poetry. Among these is the phrase, “Panem et circenses”, or, in English, “bread and circuses.”
Panem et circenses refers to a society that uses food and mindless entertainment to keep control of its people. Such a culture does not encourage deep thought, nor does it encourage any search for meaningful or consequential in life.
What an excellent way to describe modern society and the culture that it has produced. No longer does our culture celebrate those with intelligence, moral piety, or depth of character. Instead, society has chosen to celebrate exhibitionism and licentiousness as the height of moral fortitude.
And no other family has demonstrated this fact more than the Kardashian-Jenner family. And modern culture has seen fit to reward them handsomely for it! In 2016, Forbes Magazine listed the Kardashian-Jenner family as the highest earning reality TV Stars. As of 2017, Kendall Jenner had a net worth of approximately US$18 million, Kourtney Kardashian had an approximate net worth of US$35 million, Khloe Kardashian had a net worth of US$40 million, Kylie Jenner, only twenty-years-old, had a net worth of US$50 million, Kris Kenner had a net worth of US$60 million, and Kim Kardashian had a net worth of US$175 million (she made $45.5 million in 2016/2017 alone).
But it’s hardly fair to criticise them. They have merely capitalised on the desire many people have to live a life of glamour and luxury. The Kardashians have been able to make tens-of-millions-of-dollars through their various reality TV shows, various business ventures, modelling, product endorsements, clothing lines, and more.
Of course, all this is not to say that the Kardashian-Jenner family is blameless. Years ago, a family as egotistical, petty, and immoral (what is Kim Kardashian, after all, other than a glorified porn star?) as the Kardashian family would have been treated with absolute disdain.
Not today, though. Today, the Kardashians have been able to build their empire, and it is an empire, upon shameless exploitation, self-aggrandisement, and self-promotion. They are able to reach nearly a billion people through social media and have been frequent guests on television talk shows.
What the Kardashian-Jenner phenomenon reveals is just how shallow our society has become. People have come to treat supermodels, reality TV stars, and sport’s stars as though they are royalty. The problem with this is that it encourages people to do whatever they like for a little bit of attention.
What all this boils down to is a loss of virtue. We have replaced the old heroes, the ones who encouraged courage and chivalry, with new Gods that encourage self-centredness and licentiousness. Self-expression is no longer to be expressed through the sweat of one’s brow, the depth of his character, or the faculties of his reason. Instead, it can be gained, quite easily, by posting a selfie on Instagram or Facebook.
St. Augustine defined virtue as ‘ordo amoris’ (yet another beautiful Latin maxim), or ‘order of love.’ It was his belief that every object and entity was accorded the level of love and affection that was appropriate for it to receive.
What we have today is a society that has gotten that order wrong. When people no longer honour Kings, they worship movie stars, musicians, models, reality TV stars, prostitutes, scoundrels, and gangsters instead. As C.S. Lewis wrote: “We make men without chests and expect of them virtue and enterprise. We laugh at honour and are shocked to find traitors in our midst. We castrate and bid the geldings be fruitful.”
Legal Fling App Represents All That Is Wrong With Modern Sexual Politics
According to Business Insider, an app announced last Wednesday will allow users to use blockchain technology to give explicit and formal consent to sex.
The ‘Legal Fling’ app is the brainchild of Legal Things, a Dutch start-up that boasts over thirty-thousand users. According to the Legal Fling website, the app, which was created in response to the #MeToo movement”, is based on the philosophy that:
“Sex should be fun and safe, but nowadays a lot of things can go wrong. Think of unwanted videos, withholding about STDs and offensive porn re-enactment. While you’re protected by law, litigating any offences through court is nearly impossible in reality. Legal Fling creates a legally binding agreement, which means any offense is a breach of contract. By using Live Contracts protocol, your private agreement is verifiable using the blockchain and enforceable with a single click.”
The Legal Fling app uses a user-friendly interface to allow couples to enter into legally binding ‘live contracts’ that will “make the do’s and don’ts clear to both parties.” The app then uses blockchain technology (originally used to track Bitcoin transactions and the movement of goods within corporate supply chains) to create a permanent record that is saved in multiple places
An application like Legal Fling is indicative of all that is wrong with modern sexual politics.
What the Legal Fling app represents is a culture that desperately wants to have its cake and eat it, too. By creating a moral standard that proclaims all sex permissible as long as it is consensual, modern hook-up culture has created a confusing and treacherous environment for intimate relationships.
The answer to modern sexual woes is not the creation of an app, but a return to traditional, family-based values. Sexual conduct must be governed by strong moral standards, not an app.
The Qualities That Build Society
Everyone versed in culture and politics understands the truth in Percy Bysshe Shelley’s (1792 – 1822) argument that creators of culture are the “unacknowledged legislators of the world.” Our view of the world is derived from our religious beliefs, the stories we read as children, the movies we watched, the cultural customs we become accustomed to, and so forth. It is not that culture constructs the physical edifices of civilisation per say, but that culture forms the values and philosophies upon which civilisation is founded.
In the west, the prevailing cultural narrative champions wholesome virtues: kindness, compassion, love, fair-play, and so forth, as being the only way to achieve prosperity and success. The individual must avoid combat with others, and be polite, civil, pleasant, and diplomatic to all. To be seen using aggression or wanting power leads to social isolation. This has certainly been the message in culture. In Shakespeare’s Richard III, the title character is a corrupt, twisted, and Machiavellian prince who schemes his way into power. By contrast, the future Henry VII is seen to be fair and humane. By the end of the play, Richard dies hated even by members of his own family, whereas Henry is celebrated as a noble hero.
This worldview bears little resemblance to reality:
“The manner in which we live, and that in which we ought to live, are things so wide asunder, that he who quits the one to betake himself with the other is more likely to destroy than to save himself; since anyone who would act up to a perfect standard of goodness in everything, must be ruined among so many who are not good. It is essential for a prince who wishes to maintain his position, to have learned how to be other than good, and to use or not to use his goodness as necessity requires.” (Niccolo Machiavelli, The Prince, 1532, Chapter 15, page 114)
Bubbling just below the surface are the real, amoral virtues which foster prosperity and success. In Beyond Good and Evil (1886), Friedrich Nietzsche (1844 – 1900) puts forth the following proposition:
“Suppose nothing is given as ‘real’ except our world of desires and passions, and we could not get down, or up, to any other ‘reality’ besides the reality of our drives.” (Beyond Good and Evil, page 59).
Maybe we aren’t as driven by morality and Godliness as we like to think we are. Maybe we are driven by lust for power, material wealth, and sex. (This, of course, brings forth the possibility that the purpose of wholesomeness is to temper our real desires).
Even though we loathe having to admit it, all of us want power. Power gives us greater control and makes us feel more secure. But since it is socially unacceptable to be seen wanting power we are forced to rely on subtlety. We are forced to become honest on the one hand, and duplicitous on the other, congenial yet cunning, democratic yet devious.
In chapter twenty-one of the Prince, Machiavelli (1469 – 1527) wrote: “Nothing makes a prince so well thought of as to undertake great enterprises and give striking proofs of his capacity.” Our civilisation was built through ambitious and power-hungry individuals. Not by the wholesome virtues presented to us.
MEMENTO MORI
This is our weekly theological article.
For most of my life I have had a great affinity for cemeteries and graveyards. A gentle stroll through the neat and peaceful rows of graves, pausing occasionally to read the inscription on the headstone of someone who lived and died long before I was born has been the source of great pleasure for me.
I believe cemeteries and graveyards are important for two reasons. First, they are incredibly artistic. One cannot help but notice the well-manicured lawns and beautiful gardens, the magnificent sculpting’s of the headstones, and the often-poetic rhetoric of the epitaphs. Second, I believe that cemeteries and graveyards provide people with a physical connection with their cultural heritage and allows them to tap into their ancestral past. As Doctor Celestina Sagazio, a historian working for Melbourne’s Southern Metropolitan Cemeteries Trust, observed, cemeteries and graveyards provide a clue into the daily lives of people throughout history.
Modern culture has little time for the contemplation of death. That would go against ‘positive thinking’ and the perpetual lie of ‘eternal youth.’ This, however, stands in stark contrast with the convictions of most of our forebears. From antiquity through to the early twentieth century, the consideration of death was considered a good motivator for leading a virtuous and meaningful life. Recent studies affirm this belief, finding that the contemplation of one’s own mortality acts as a motivator for assessing one’s values and goals and can greatly improve physical health.
The phrase, ‘Memento Mori’, is said to have originated with the Ancient Romans. Tradition in Ancient Rome dictated that a servant or slave should stand behind a triumphant General during his victory parade. This servant or slave would whisper in the General’s ear: “Respice post te! Hominem te esse memento! Memento Mori!” (“Look behind you! Remember that you are but a man! Remember that you will die!”).
Between the 14th and 17th centuries, the concept of ‘Memento Mori’ took on new motifs. The engraving, ‘The Triumph of Death’ (1539) by Georg Pencz (1500 – 1550) depicted a scythe-wielding skeleton commanding an oxen-driven chariot. Similarly, the dance of death – involving skeletal figures – lead everyone from the Pope to the humble ploughman in a final dance of death. During the 17th and 18th centuries, many New England graves were adorned with epitaphs like ‘Memento Mori’ and ‘Hora Fugit’ (‘the hour flees’) and were emblazoned with images of skulls, bones, winged death’s heads, hourglasses, and other symbols of death and the passage of time.
The Roman stoic philosopher, Seneca (4BC – AD65) advised: “Let us prepare our minds as if we’d come to the very end of life. Let us postpone nothing. Let us balance life’s books each day… The one who puts the finishing touches on their life each day is never short of time.” The careful contemplation of mortality and the deliberate awareness of death has a profoundly positive effect on the health and vitality of the soul.
WHITE HOUSE BACKS BILL TO BAN ABORTIONS AFTER TWENTY-WEEKS
The Trump administration has officially backed legislation that will ban abortions after twenty weeks. A statement from the White House read:
“The bill, if enacted into law, would help to facilitate the culture of life to which our Nation aspires. Additionally, the bill would promote a science-based approach to unborn life, as recent advancements have revealed that the physical structures necessary to experience pain are developed within 20 weeks of fertilization”
The bill, which is labelled the ‘Pain-Capable Unborn Child Protection Act‘, is being sponsored by Republican Congressman from Arizona, Trent Franks. Under the bill, anyone who performs or attempts to perform an abortion on a fetus twenty-weeks or older will face criminal penalties, including a fine or a term of imprisonment of up to five years. Naturally, exceptions have been made which will allow women to utilise the medical procedure after the deadline if her life is in danger or if she is a victim of rape or incest.
As if on cue, the bill has faced a strong backlash from morally repugnant pro-choice groups, who have slammed it as ‘cruel’ and ‘unconstitutional’ (because America’s founding fathers totally believed in the right to murder unborn babies). Heather Boonstra of The Hill condemned it as an attempt to “politicise women’s health, limit access to abortion care and stigmatise people who need later abortions” (the accusation of ‘politicising’ women in any way is a little rich coming from the left). Similarly, Planned Parenthood tweeted: “20 week abortion bans are: unpopular, unconstitutional, part of the agenda to ban ALL abortion.”
CASABLANCA
For our weekly cultural article, we will be looking at the film Casablanca. Released in 1942, Casablanca delves deeply into themes of morality and human sacrifice, tentatively exploring both the good and bad aspects of humanity.
BACKGROUND
The American Film Institute ranks Casablanca as the second greatest film of all time (ranked behind Citizen Kane).
The fact that Casablanca is still so revered, even after seventy-five years, is nothing short of a miracle. The film was made on a tight budget in the style common to the studio system of the time, having been made on set with a studio director, studio writers, and studio actors.
Its script has been voted by the Writers Guild of America as the greatest ever written. That, too, is a miracle. The script was based on a play that was never performed: “Everybody Comes to Rick’s”, by Murray Burnett (1910 – 1997) and Joan Alison (1901 – 1992). The task of adapting the play to film was given to three separate screenwriters, who completed their task in three different locations. Julius G. and Philip G. Epstein (1909 – 2000; 1909 – 1952) would finish theirs just a few days before filming began. Howard Koch (1901 – 1995), on the other hand, wouldn’t hand his in until filming was well underway.
And even then, scraps of dialogue and scene rewrites were being rushed to the set, the ink still wet on the page.
THE FILM
Perhaps one reason for its long lasting success is its refusal to be categorised. Casablanca is one part war film – being presented against the backdrop of the Second World War, one part love story – Rick Blaine (Humphrey Bogart), Ilsa Lund (Ingrid Bergman), and Victor Laszlo (Paul Henreid) are embroiled in a bitter love triangle, one part political thriller, and one part allegory – presenting both the best and worst aspects of human nature.
Another reason is the stellar cast it boasts: Humphrey Bogart (1899 – 1957) – considered the greatest film star of all time by the American Film Institute, Ingrid Bergman (1915 – 1982) – one of film’s most naturally beautiful women, Claude Rains (1889 – 1967), Sydney Greenstreet (1879 – 1954), Paul Henreid (1908 – 1992), and Peter Lorre (1904 – 1964).
SUMMARY
Naturally, no one thought Casablanca would be a hit, people weren’t even sure if the allies would win World War Two. However, as Alrean Harmetz wrote in Round Up the Usual Suspects: the Making of Casablanca, Casablanca seemed almost destined to be a film classic:
“There are better movies than Casablanca, but no other movie better demonstrates America’s mythological vision of itself – tough on the outside and moral within, capable of sacrifice and romance without sacrificing the individualism that conquered a continent, sticking its neck out for everybody when circumstances demand heroism. No other movie has so reflected both the moment when it was made – the early days of World War II – and the psychological needs of audiences decades later.”
I believe Casablanca‘s long lasting success boils down to its depiction of the goodness of human beings in the wake of great evil. Early in World War Two, Casablanca was Vichy France, and therefore Nazi German, territory. In the film, Casablanca is depicted as a world of corruption, a crossroads where Nazis, members of various resistance forces, criminals, spies, and traitors come together. It is a fascist society where the oppressors imprison millions, where human life is a commodity to be traded for benefits. No one cares about anyone, save for themselves.
The imprisoned respond to their imprisonment in different ways: some fight against it, others try to escape it, and others try to profit from it. In one scene, a man is shot dead trying to escape. He falls under a poster of Marshall Philippe Petain (1856 – 1951), the Chief of Vichy France. We learn he was clutching a Free France handbill.
Desperate attempts to escape to freedom are understandable. But the film also presents us with an array of lowlifes and criminals, and, remarkably, even asks us to express pity for them. Signor Ferrari (Sydney Greenstreet) is a shrewd and callous gangster who, it is suggested, profits from the sale of human beings.
The total disregard for human life is depicted in a scene where Ferrari offers to buy Rick’s friend and piano player, Sam, portrayed by Dooley Wilson (1886 – 1953). Rick refuses, saying “I don’t buy or sell human beings.” “Too bad”, Ferrari replies, “that’s Casablanca’s leading commodity.”
Then there’s Signore Ugarte (Peter Lorre), the North African black market dealer who represents disorganised criminal who profits from the misery of others. Rick ignores his pleas for help as he is arrested for murdering two German couriers in order to steal non-rescindable, French General Marshal Weygand signed, letters of transit.
Ultimately, Casablanca is a film of redemption and human sacrifice. It asks its audience to not only imagine winning the loves of their lives but asks them to imagine giving them up for the greater good.
Rick starts out as a cynical and resentful anti-hero. “I stick my neck out for no one”, he tells us at one point. By the end of the film, he has been transformed into a selfless hero. “It doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world”, he tells Ilsa.
In the end, Casablanca shows the power of sacrifice and brotherly love over tyranny and evil. Even when everything is lost, hope can be found among those few human beings who are willing to put their personal needs aside and sacrifice themselves for others.
HUMILITY
This is our weekly article examining an aspect of the Judaeo-Christian faith.
Modern society is based around a culture of self-esteem. Whatever happens to make us feel good in the moment is the highest order of the day. Hence we get the abolition of winners and losers, and the advent of moral relativism. Our highest consideration is to ourselves, with no room for God our other people.
A lot of this affliction comes from post-modernism (the belief there is no determinable reality) which has changed the definitions of ‘arrogance’ and ‘humility’ to mean ‘conviction’ and ‘doubt’, respectively. Through post-modernism our sense of humility has shifted from humility towards ourselves, to doubt of the greater truth. As G.K. Chesterton (1874 – 1936) predicted in 1908:
” What we suffer from today is humility in the wrong place. Modesty has moved from the organ of ambition. Modesty has settled upon the organ of conviction; where it was never meant to be. A man was meant to be doubtful about himself, but undoubting about the truth; this has been exactly reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert — himself. The part he doubts is exactly the part he ought not to doubt — the Divine Reason. . . . The new skeptic is so humble that he doubts if he can even learn. . . . There is a real humility typical of our time; but it so happens that it’s practically a more poisonous humility than the wildest prostrations of the ascetic. . . . The old humility made a man doubtful about his efforts, which might make him work harder. But the new humility makes a man doubtful about his aims, which makes him stop working altogether. . . . We are on the road to producing a race of man too mentally modest to believe in the multiplication table.”
The Bible urges us to pursue humility. C.S. Lewis (1898 – 1963) once observed that humility is “not thinking less of yourself, but thinking of yourself less.” It requires us to take our personal thoughts and feelings out of a situation in order to act selflessly for others. When we humble ourselves, God exalts us.
John Chrysostom (c. 349 – 407AD) once observed that “humility is the root, mother, nurse, foundation, and bond of all virtue.” They key to true humility is subordinating yourself totally to the command of God. Never be afraid to fall on your knees in the presence of God.
King Alfred Press 