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Hillary Clinton has released her 2016 election memoir, What Happened. Throughout the five-hundred-and-twelve page book, Clinton manages to blame everyone and everything else but herself for her defeat at the 2016 Presidential election.
Of course, there are the chief left-wing villains: Clinton, like most feminists, blames ‘sexism’ and ‘misogyny’ for her defeat by a “flagrantly sexist candidate.” At one point, Clinton even claims that she cannot give “absolution” to young women who failed to vote in the election.
Next, there’s the alleged collusion between President Trump and the Russians, whom Clinton blames for “weaponising information, negative stories” about her. Not even former President Barack Obama escapes her ire: he committed the grave sin of not addressing the so-called Russia hacking in a national television address.
“I watched how analysts who I have a great deal of respect for, like Nate Silver, burrowed into all the data and said that ‘but for that Comey letter, she would have won’.”
White House Press Secretary, Sarah Huckabee Sanders, has slammed Clinton’s book for being filled with “inaccuracies” and has accused Clinton of failing to accept the blame for her own election defeat. Huckabee commented:
“I think probably the biggest one is any place within the book where she lays the blame for the loss on anyone but herself.”
Huckabee went on to criticise Clinton for accusing President Trump of not being a President for all Americans:
“That type of misunderstanding of who this President is, and frankly a misunderstanding of what he’s been doing, is exactly one of the reasons that Hillary Clinton is not the President and is instead pushing a book with a lot of false narratives and a lot of, I think, false accusations and placing blame on a lot of other people instead of accepting it herself.”
George Neumayr of The Spectator attributes Clinton’s election defeat to her status as a modern incarnation of Shakespeare’s Lady Macbeth:
“She is a failed Lady Macbeth, but a Lady Macbeth who wants us to feel sorry for her, what with her chardonnay-chugging and alternate nostril breathing after the election. She writes: ‘If you’ve never done alternate nostril breathing, it’s worth a try.… It may sound silly, but it works for me. It wasn’t all yoga and breathing: I also drank my share of chardonnay’.”
If Hillary Clinton is looking for someone to blame she should start by taking a long, hard look at herself. Throughout her campaign, Clinton came across as cold, calculating, and malevolent. She showed signs of narcissism, an astounding incapability of self-reflection, and a proclivity to blame everyone else but herself for her problems. Her attitude was that of arrogance and entitlement, as though the Presidency was her birthright, as though she was guaranteed to win.
For our cultural article this week, we will be examining Walt Whitman’s 1891 poem, O Me, O Life.
Walt Whitman is considered one of America’s most important poets. Whitman was born in Long Island, New York, on May 31st, 1819. Whitman educated himself by reading Dante, Homer, Shakespeare, and the Bible. At twelve he got an apprenticeship as a printer, but lost it when a fire destroyed the printing district. He worked as a journalist for various newspapers before going independent and travelling around America. In 1870, Whitman settled in Camden, New Jersey. Walt Whitman died on March 26th, 1892, at the age of seventy-two.
Oh me! Oh life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill’d with the foolish,
Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,
Of the poor results of all, of the plodding and sordid crowds I see around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring—What good amid these, O me, O life?
That you are here—that life exists and identity,
That the powerful play goes on, and you may contribute a verse.
O Me, o Life appeared in Walt Whitman’s poetry collection, Leaves of Grass, in 1891. Written in free verse, the poem seeks to determine what the value of life actually is. It is an answer to how one can suffer “the slings and arrows of outrageous fortune” and still find a reason for living.
The first stanza is essentially the same in theme as Hamlet‘s “to be, or not to be” speech. How can life, with all its suffering and hardship, be worth living? Why do we continue to hold life so dear when all the inherent suffering and malevolence can compromise our faith in God, in other people, and even in ourselves?
For Whitman, the answer was simple: Life in and of itself is valuable. That even in the darkest periods of human history, life goes on. For Whitman, the answer to life’s purpose is that you get to “contribute a verse” to the eternal story of man.