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On Constitutional Monarchy
I would like to begin this essay by reciting a poem by the English Romantic poet, William Wordsworth (1770 – 1850):
Milton! thou shouldst be living at this hour:
England hath need for thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a star, and dwelt apart:
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free
So didst thou travel on life’s common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.
The poem, entitled London 1802, is Wordsworth’s ode to an older, nobler time. In it he attempts to conjure up the spirit of John Milton (1608 – 1674), the writer and civil servant immortalised for all time as the writer of Paradise Lost.
Milton acts as the embodiment for a nobler form of humanity. He symbolises a time when honour and duty played far greater a role in the human soul than it did in Wordsworth’s time, or even today. It is these themes of honour, duty, and nobility that will provide the spiritual basis for constitutional monarchy.
It is a subject that I will return to much later in this essay. But, to begin, it would perhaps be more prudent to begin this essay in earnest by examining those aspects of English history that allowed both constitutional monarchy and English liberty to be borne.
The English monarchy has existed for over eleven-hundred years. Stretching from King Alfred the Great in the 9th century to Elizabeth II in the 21st, the English people have seen more than their fair share of heroes and villains, wise kings and despotic tyrants. Through their historical and political evolution, the British have developed, and championed, ideals of liberty, justice, and good governance. The English have gifted these ideals to most of the Western World through the importation of their culture to most of the former colonies.
It is a sad reality that there are many people, particularly left-wing intellectuals, who need to reminded of the contributions the English have made to world culture. The journalist, Peter Hitchens (1951 – ) noted in his book, The Abolition of Britain that abhorrence for one’s own country was a unique trait of the English intellectual. Similarly, George Orwell (1903 – 1950) once observed, an English intellectual would sooner be seen stealing from the poor box than standing for “God Save the King.”
However, these intellectuals fail to notice, in their arrogance, that “God save the King” is actually a celebration of constitutional monarchy and not symbolic reverence to an archaic and rather powerless royal family. It is intended to celebrate the nation as embodied in the form of a single person or family and the fact that the common man and woman can live in freedom because there are constitutional restraints placed on the monarch’s power.
If one’s understanding of history has come from films like Braveheart, it is easy to believe that all people in all times have yearned to be free. A real understanding of history, one that comes from books, however, reveals that this has not always been the case. For most of history, people lived under the subjugation of one ruler or another. They lived as feudal serfs, subjects of a king or emperor, or in some other such arrangement. They had little reason to expect such arrangements to change and little motivation to try and change them.
At the turn of the 17th century, the monarchs of Europe began establishing absolute rule by undermining the traditional feudal institutions that had been in place for centuries. These monarchs became all-powerful wielding their jurisdiction over all forms of authority: political, social, economic, and so forth.
To justify their mad dash for power, Europe’s monarchs required a philosophical argument that vindicated their actions. They found it in a political doctrine known as ‘the divine rights of kings.’ This doctrine, formulated by the Catholic Bishop, Jacques Bossuet (1627 – 1704) in his book, Politics Derived from Sacred Scripture, argued that monarchs were ordained by God and therefore represented His will. It was the duty of the people to obey that individual without question. As such, no limitations could be put on a monarch’s power.
What Bossuet was suggesting was hardly a new, but it did provide the justification many monarchs needed to centralise power in themselves. King James I (1566 – 1625) of England and Scotland saw monarchs as God’s lieutenants and believed that their actions should be tempered by the fear of God since they would be called to account at the Last Judgement. On the basis of this belief, King James felt perfectly justified in proclaiming laws without the consent of parliament and involving himself in cases being tried before the court.
When King James died in 1625, he was succeeded by his second-eldest son, Charles (1600 – 1649). King Charles I assumed the throne during a time of political change. He was an ardent believer in the divine rights of kings, a belief that caused friction between the monarch and parliament from whom he had to get approval to raise funds.
In 1629, Charles outraged much of the population, as well as many nobles, when he elected to raise funds for his rule using outdated taxes and fines, and stopped calling parliament altogether. Charles had been frustrated by Parliament’s constant attacks on him and their refusal to furnish him with money. The ensuing period would become known as the eleven years tyranny.
By November 1640, Charles had become so bereft of funds that he was forced to recall Parliament. The newly assembled Parliament immediately began clamouring for change. They asserted the need for a regular parliament and sought changes that would make it illegal for the King to dissolve the political body without the consent of its members. In addition, the Parliament ordered the king to execute his friend and advisor, Thomas Wentworth (1593 – 1641), the 1st Earl of Stafford, for treason.
The result was a succession of civil wars that pitted King Charles against the forces of Parliament, led by the country gentlemen, Oliver Cromwell (1599 – 1658). Hailing from Huntingdon, Cromwell was a descendant of Henry VIII’s (1491 – 1547) chief minister, Thomas Cromwell (1485 – 1550). In the end, it would decimate the English population and forever alter England’s political character.
The English Civil War began in January 1642 when King Charles marched on Parliament with a force of four-hundred-thousand men. He withdrew to Oxford after being denied entry. Trouble was brewing. Throughout the summer, people aligned themselves with either the monarchists or the Parliamentarians.
The forces of King Charles and the forces of Parliament would meet at the Battle of Edgehill in October. What would follow is several years of bitter and bloody conflict.
Ultimately, it was Parliament that prevailed. Charles was captured, tried for treason, and beheaded on January 30th, 1642. England was transformed into a republic or “commonwealth.” The English Civil War had claimed the lives of two-hundred-thousand peoples, divided families, and facilitated enormous social and political change. Most importantly, however, it set the precedent that a monarch could not rule without the consent of parliament.
The powers of parliament had been steadily increasing since the conclusion of the English Civil War. However, total Parliamentary supremacy had proven unpopular. The Commonwealth created in the wake of the Civil War had collapsed shortly after Oliver Cromwell’s death. When this happened, it was decided to restore the Stuart dynasty.
The exiled Prince Charles returned to France and was crowned King Charles II (1630 – 1685). Like his father and grandfather, Charles was an ardent believer in the divine rights of kings. This view put him at odds with those of the Enlightenment which challenged the validity of absolute monarchy, questioned traditional authority, and idealised liberty.
By the third quarter of the 17th century, Protestantism had triumphed in both England and Scotland. Ninety-percent of the British population was Protestant. The Catholic minority was seen as odd, sinister, and, in extreme cases, outright dangerous. People equated Catholicism with tyranny linking French-Style autocracy with popery.
It should come as no surprise, then, that Catholics became the target of persecution. Parliament barred them from holding offices of state and banned Catholic forms of worship. Catholics were barred from becoming members of Parliament, justices of the peace, officers in the army, or hold any other position in Parliament unless they were granted a special dispensation by the King.
It is believed that Charles II may have been a closet Catholic. He was known for pardoning Catholics for crimes (controversial considering Great Britain was a protestant country) and ignoring Parliament.
However, Charles’ brother and successor, James (1633 – 1701) was a Catholic beyond any shadow of a doubt. He had secretly converted in 1669 and was forthright in his faith. After his first wife, Anne Hyde (1637 – 1671) died, James had even married the Italian Catholic, Mary of Modena (1658 – 1718). A decision that hardly endeared him to the populace.
The English people became alarmed when it became obvious that Charles II’s wife, Catherine of Braganza (1638 – 1705) would not produce a Protestant heir. It meant that Charles’ Catholic brother, James was almost certainly guaranteed to succeed him on the throne. So incensed was Parliament at having a Catholic on the throne, they attempted to pass the Crown onto one of Charles’ Anglican relatives.
Their concern was understandable, too. The English people had suffered the disastrous effects of religious intolerance since Henry VIII had broken away from the Catholic Church and established the Church of England. The result had been over a hundred years of religious conflict and persecution. Mary I (1516 – 1558), a devout Catholic, had earnt the moniker “bloody Mary” for burning Protestants the stake. During the reign of King James, Guy Fawkes (1570 – 1606), along with a group of Catholic terrorists, had attempted to blow up Parliament in the infamous “gunpowder plot.”
Unlike Charles II, James made his faith publicly known. He desired greater tolerance for Catholics and non-Anglican dissenters like Quakers and Baptists. The official documents he issued, designed to bring about the end of religious persecution, were met with considerable objection from both Bishops and Europe’s protestant monarchs.
Following the passing of the Test Act in 1672, James had briefly been forced to abandon his royal titles. The Act required officers and members of the nobility to take the Holy Communion as spelt out by the Church of England. It was designed to prevent Catholics from taking public office.
Now, as King, James was attempting to repeal the Test Act by placing Catholics in positions of power. His Court featured many Catholics and he became infamous for approaching hundreds of men – justices, wealthy merchants, and minor landowners – to stand as future MPs and, in a process known as ‘closeting’, attempting to persuade them to support his legal reforms. Most refused.
That was not the limits of James’ activities, either. He passed two Declarations of Indulgences to be read from every stage for two Sundays, and put those who opposed it on trial for seditious libel. Additionally, he had imprisoned seven Bishops for opposing him, made sweeping changes to the Church of England, and built an army comprising mainly of Catholics.
The people permitted James II to rule as long as his daughter, the Protestant Prince Mary (1662 – 1694) remained his heir. All this changed, however, when Mary Modena produced a Catholic heir: James Francis Edward Stuart (1688 – 1766). When James declared that the infant would be raised Catholic, it immediately became apparent that a Catholic dynasty was about to be established. Riots broke out. Conspiracy theorists posited that the child was a pawn in a Popish plot. The child, the theory went, was not the King’s son but rather a substitute who had been smuggled into the birthing chamber in a bed-warming pan.
In reality, it was the officers of the Army and Navy who were beginning to plot and scheme in their taverns and drinking clubs. They were annoyed that James had introduced Papist officers into the military. The Irish Army, for example, had seen much of its Protestant officer corps dismissed and replaced with Catholics who had little to no military experience.
James dissolved Parliament in July 1688. Around this time, a Bishop and six prominent politicians wrote to Mary and her Dutch husband, William of Orange (1650 – 1702) and invited them to raise an army, invade London, and seize the throne. They accepted.
William landed in Dorset on Guy Fawkes’ day accompanied by an army of fifteen-thousand Dutchmen and other Protestant Europeans. He quickly seized Exeter before marching eastward towards London. James II called for troops to confront William.
Things were not looking good for James, however. Large parts of his officer corps were defecting to the enemy and taking their soldiers with them. Without the leadership of their officers, many soldiers simply went home. English magnates started declaring for William. And his own daughter, Princess Anne (1665 – 1714) left Whitehall to join the rebels in Yorkshire. James, abandoned by everyone, fled to exile in France. He would die there twelve-years-later.
On January 22nd, 1689, William called the first ‘convention parliament.’ At this ‘convention’, Parliament passed two resolutions. First, it was decided that James’ flight into exile constituted an act of abdication. And second, it was declared a war against public policy for the throne to be occupied by a Catholic. As such, the throne was passed over James Francis Edward Stuart, and William and Mary were invited to take the Crown as co-monarchs.
They would be constrained, however, by the 1689 Bill of Rights and, later, by the 1701 Act of Settlement. The 1689 Bill of Rights made Great Britain a constitutional monarchy as opposed to an absolute one. It established Parliament, not the crown, as the supreme source of law. And it set out the most basic rights of the people.
Likewise, the 1701 Act of Settlement helped to strengthen the Parliamentary system of governance and secured a Protestant line of succession. Not only did it prevent Catholics from assuming the throne, but it also gave Parliament the ability to dictate who could ascend to the throne and who could not.
The Glorious Revolution was one of the most important events in Britain’s political evolution. It made William and Mary, and all monarchs after them, elected monarchs. It established the concept of Parliamentary sovereignty granting that political body the power to make or unmake any law it chose to. The establishment of Parliamentary sovereignty brought with it the ideas of responsible and representative government.
The British philosopher, Roger Scruton (1944 – ) described British constitutional monarchy as a “light above politics which shines down [on] the human bustle from a calmer and more exalted sphere.” A constitutional monarchy unites the people for a nation under a monarch who symbolises their shared history, culture, and traditions.
Constitutional monarchy is a compromise between autocracy and democracy. Power is shared between the monarch and the government, both of whom have their powers restricted by a written, or unwritten, constitution. This arrangement separates the theatre of power from the realities of power. The monarch is able to represent the nation whilst the politician is able to represent his constituency (or, more accurately, his party).
In the Need for Roots, the French philosopher, Simone Weils (1909 – 1943) wrote that Britain had managed to maintain a “centuries-old tradition of liberty guaranteed by the authorities.” Weils was astounded to find that chief power in the British constitution lay in the hands of a lifelong, unelected monarch. For Weils, it was this arrangement that allowed the British to retain its tradition of liberty when other countries – Russia, France, and Germany, among others – lost theirs when they abolished their monarchies.
Great Britain’s great legacy is not their once vast and now non-existent Empire, but the ideas of liberty and governance that they have gifted to most of their former colonies. Even the United States, who separated themselves from the British by means of war, inherited most of their ideas about “life, liberty, and the pursuit of happiness” from their English forebears.
The word “Commonwealth” was adopted at the Sixth Imperial Conference held between October 19th and November 26th, 1926. The Conference, which brought together the Prime Ministers of the various dominions of the British Empire, led to the formation of the Inter-Imperial Relations Committee. The Committee, headed for former British Prime Minister, Arthur Balfour (1848 – 1930), was designed to look into future constitutional arrangements within the commonwealth.
Four years later, at the Seventh Imperial Conference, the committee delivered the Balfour Report. It stated:
“We refer to the group of self-governing communities composed of Great Britain and the Dominions. Their position and mutual relation may be readily defined. They are autonomous Communities within the British Empire, equal in status, in no way subordinate one to another in any aspect of their domestic or external affairs, though united by a common allegiance to the Crown, and freely associated as members of the British Commonwealth of Nations.”
It continued:
“Every self-governing member of the Empire is now the master of its destiny. In fact, if not always in form, it is subject to no compulsion whatsoever.”
Then, in 1931, the Parliament of the United Kingdom passed the Statute of Westminster. It became one of two laws that would secure Australia’s political and legal independence from Great Britain.
The Statute of Westminster gave legal recognition to the de-facto independence of the British dominions. Under the law, Australia, Canada, the Irish Free State, Newfoundland (which would relinquish its dominion status and be absorbed into Canada in 1949), New Zealand and South Africa were granted legal independence.
Furthermore, the law abolished the Colonial Validity Act 1865. A law which had been enacted with the intention of removing “doubts as to the validity of colonial laws.” According to the act, a Colonial Law was void when it “is or shall be in any respect repugnant to the provisions of any Act of Parliament extending to the colony to which such laws may relate, or repugnant to any order or regulation under authority of such act of Parliament or having in the colony the force and effect of such act, shall be read subject to such act, or regulation, and shall, to the extent of such repugnancy, but not otherwise, be and remain absolutely void and inoperative.”
The Statute of Westminster was quickly adopted by Canada, South Africa, and the Irish Free State. Australia, on the other hand, did not adopt it until 1942, and New Zealand did not adopt it until 1947.
More than forty-years-later, the Hawke Labor government passed the Australia Act 1986. This law effectively made the Australian legal system independent from Great Britain. It had three major achievements. First, it ended appeals to the Privy Council thereby establishing the High Court as the highest court in the land. Second, it ended the influence the British government had over the states of Australia. And third, it allowed Australia to update or repeal those imperial laws that applied to them by ending British legislative restrictions.
What the law did not do, however, was withdraw the Queen’s status as Australia’s Head of State:
“Her Majesty’s Representative in each State shall be the Governor.
Subject to subsections (3) and (4) below, all powers and functions of Her Majesty in respect of a State are exercisable only by the Governor of the State.
Subsection (2) above does not apply in relation to the power to appoint, and the power to terminate the appointment of, the Governor of a State.
While her Majesty is personally present in a State, Her Majesty is not precluded from exercising any of Her powers and functions in respect of the State that are the subject of subsection (2) above.
The advice of Her Majesty in relation to the exercise of powers and functions of Her Majesty in respect of a State shall be tendered by the Premier of the State.”
These two laws reveal an important miscomprehension that is often exploited by Australian Republicans. That myth is the idea that Australia does not have legal and political independence because its Head of State is the British monarch. The passage of the Statute of Westminster in 1931 and the Australia Act in 1986 effectively ended any real political or legal power the British government had over Australia.
In Australia, the monarch (who is our head of state by law) is represented by a Governor General. This individual – who has been an Australian since 1965 – is required to take an oath of allegiance and an oath of office that is administered by a Justice (typically the Chief Justice) of the High Court. The Governor-General holds his or her position at the Crown’s pleasure with appointments typically lasting five years.
The monarch issues letters patent to appoint the Governor General based on the advice of Australian ministers. Prior to 1924, Governor Generals were appointed on the advice of both the British government and the Australian government. This is because the Governor General at that time represented both the monarch and the British government. This arrangement changed, however, at the Imperial Conferences of 1926 and 1930. The Balfour Report produced by these conferences stated that the Governor General should only be the representative of the crown.
The Governor General’s role is almost entirely ceremonial. It has been argued that such an arrangement could work with an elected Head of State. However, such an arrangement would have the effect of politicising and thereby corrupting the Head of State. A Presidential candidate in the United States, for example, is required to raise millions of dollars for his campaign and often finds himself beholden to those donors who made his ascent possible. The beauty of having an unelected Head of State, aside from the fact that it prevents the government from assuming total power, is that they can avoid the snares that trap other political actors.
The 1975 Constitutional Crisis is a perfect example of the importance of having an independent and impartial Head of State. The crises stemmed from the Loans Affair which forced Dr. Jim Cairns (1914 – 2003), Deputy Prime Minister, Treasurer, and intellectual leader of the political left, and Rex Connor (1907 – 1977) out of the cabinet. As a consequence of the constitutional crisis, Gough Whitlam (1916 – 2014) was dismissed as Prime Minister and the 24th federal parliament was dissolved.
The Loan’s affair began when Rex Connor attempted to borrow money, up to US$4b, to fund a series of proposed national development projects. Connor deliberately flouted the rules of the Australian Constitution which required him to take such non-temporary government borrowing to the Loan Council (a ministerial council consisting of both Commonwealth and state elements which existed to coordinate public sector borrowing) for approval. Instead, on December 13th, 1974, Gough Whitlam, Attorney-General Lionel Murphy (1922 – 1986), and Dr. Jim Cairns authorised Connor to seek a loan without the council’s approval.
When news of the Loans Affair was leaked, the Liberal Party, led by Malcolm Fraser (1930 – 2015), began questioning the government. Whitlam attempted to brush the scandal aside by claiming that the loans had merely been “matters of energy” and claiming that the Loans Council would only be advised once a loan had been made. Then, on May 21st, Whitlam informed Fraser that the authority for the plan had been revoked.
Despite this, Connor continued to liaise with the Pakistani financial broker, Tirath Khemlani (1920 – 1991). Khemlani was tracked down and interviewed by Herald Journalist, Peter Game (1927 – ) in mid-to-late 1975. Khemlani claimed that Connor had asked for a twenty-year loan with an interest of 7.7% and a 2.5% commission for Khemlani. The claim threw serious doubt on Dr. Jim Cairn’s claim that the government had not offered Khemlani a commission on a loan. Game also revealed that Connor and Khemlani were still in contact, something Connor denied in the Sydney Morning Herald.
Unfortunately, Khemlani had stalled on the loan, most notably when he had been asked to go to Zurich with Australian Reserve Bank officials to prove the funds were in the Union Bank of Switzerland. When it became apparent that Khemlani would never deliver Whitlam was forced to secure the loan through a major American investment bank. As a condition of that loan, the Australian government was required to cease all other loans activities. Consequentially, Connor had his loan raising authority revoked on May 20th, 1975.
The combination of existing economic difficulties with the political impact of the Loan’s Affair severely damaged to the Whitlam government. At a special one day sitting of the Parliament held on July 9th, Whitlam attempted to defend the actions of his government and tabled evidence concerning the loan. It was an exercise in futility, however. Malcolm Fraser authorised Liberal party senators – who held the majority in the upper house at the time – to force a general election by blocking supply.
And things were only about to get worse. In October 1975, Khemlani flew to Australia and provided Peter Game with telexes and statutory declarations Connor had sent him as proof that he and Connor had been in frequent contact between December 1974 and May 1975. When a copy of this incriminating evidence found its way to Whitlam, the Prime Minister had no other choice but to dismiss Connor and Cairns (though he did briefly make Cairns Minister for the Environment).
By mid-October, every metropolitan newspaper in Australia was calling on the government to resign. Encouraged by this support, the Liberals in the Senate deferred the Whitlam budget on October 16th. Whitlam warned Fraser that the Liberal party would be “responsible for bills not being paid, for salaries not being paid, for utter financial chaos.” Whitlam was alluding to the fact that blocking supply threatened essential services, Medicare rebates, the budgets of government departments and the salaries of public servants. Fraser responded by accusing Whitlam of bringing his own government to ruin by engaging in “massive illegalities.”
On October 21st, Australian’s longest-serving Prime Minister, Sir Robert Menzies (1894 – 1978) signalled his support for Fraser and the Liberals. The next day, Treasurer, Bill Hayden (1933 – ) reintroduced the budget bills and warned that further delay would increase unemployment and deepen a recession that had blighted the western world since 1973.
The crisis would come to a head on Remembrance Day 1975. Whitlam had asserted for weeks that the Senate could not force him into an election by claiming that the House of Representatives had an independence and an authority separate from the Senate.
Whitlam had decided that he would end the stalemate by seeking a half-senate election. Little did he know, however, that the Governor-General, Sir John Kerr (1914 – 1991) had been seeking legal advice from the Chief Justice of the High Court on how he could use his Constitutional Powers to end the deadlock. Kerr had come to the conclusion that should Whitlam refuse to call a general election, he would have no other alternative but to dismiss him.
And this is precisely what happened. With the necessary documents drafted, Whitlam arranged to meet Kerr during the lunch recess. When Whitlam refused to call a general election, Kerr dismissed him and, shortly after, swore in Malcolm Fraser as caretaker Prime Minister. Fraser assured Kerr that he would immediately pass the supply bills and dissolve both houses in preparation for a general election.
Whitlam returned to the Lodge to eat lunch and plan his next movie. He informed his advisors that he had been dismissed. It was decided that Whitlam’s best option was to assert Labor’s legitimacy as the largest party in the House of Representatives. However, fate was already moving against Whitlam. The Senate had already passed the supply bills and Fraser was drafting documents that would dissolve the Parliament.
At 2pm, Deputy Prime Minister, Frank Crean (1916 – 2008) defended the government against a censure motion started by the opposition. “What would happen, for argument’s sake, if someone else were to come here today and say he was now the Prime Minister of this country”, Crean asked. In fact, Crean was stalling for time while Whitlam prepared his response.
At 3pm, Whitlam made a last-ditch effort to save his government by addressing the House. Removing references to the Queen, he asked that the “House expresses its want of confidence in the Prime Minister and requests, Mr. Speaker, forthwith to advice His Excellency, the Governor-General to call the member of Wannon to form a government.” Whitlam’s motion was passed with a majority of ten.
The speaker, Gordon Scholes (1931 – 2018) expressed his intention to “convey the message of the House to His Excellency at the first opportunity.” It was a race that Whitlam was not supposed to win. Scholes was unable to arrange an appointment until quarter-to-five in the afternoon.
Behind the scenes, departmental officials were working to provide Fraser with the paperwork he needed to proclaim a double dissolution. By ten-to-four, Fraser left for government house. Ten minutes later, Sir John Kerr had signed the proclamation dissolving both Houses of Parliament and set the date for the upcoming election for December 13th, 1975. Shortly after, Kerr’s official secretary, David Smith (1933) drove to Parliament House and, with Whitlam looming behind him, read the Governor General’s proclamation.
The combination of economic strife, political scandal, and Whitlam’s dismissal signed the death warrant for Whitlam’s government. At the 1975 Federal Election, the Liberal-National coalition won by a landslide, gaining a majority of ninety-one seats and obtaining a popular vote of 4,102,078. In the final analysis, it seems that the Australian people had agreed with Kerr’s decision and had voted to remove Whitlam’s failed government from power once and for all.
Most of the arguments levelled against constitutional monarchies can be described as petty, childish, and ignorant. The biggest faux pas those who oppose constitutional monarchies make is a failure to separate the royal family (who are certainly not above reproach) from the institution of monarchy itself. Dislike for the Windsor family is not a sufficient reason to disagree with constitutional monarchy. It would be as if I decided to argue for the abolition of the office of Prime Minister just because I didn’t like the person who held that office.
One accusation frequently levelled against the monarchy is that they are an undue financial burden on the British taxpaying public. This is a hollow argument, however. It is certainly true that the monarchy costs the British taxpayer £299.4 million every year. And it is certainly true that the German Presidency costs only £26 million every year. However, it is not true that all monarchies are necessarily more expensive than Presidencies. The Spanish monarchy costs only £8 million per year, less than the Presidencies of Germany, Finland, and Portugal.
Australia has always had a small but vocal republican movement. The National Director of the Republican Movement, Michael Cooney has stated: “no one thinks it ain’t broken, that we should fix it. And no one thinks we have enough say over our future, and so, no matter what people think about in the sense of the immediate of the republic everyone knows that something is not quite working.”
History, however, suggests that the Australian people do not necessarily agree with Cooney’s assessment. The Republican referendum of 1999 was designed to facilitate two constitutional changes: first, the establishment of a republic, and, second, the insertion of a preamble in the Constitution.
The Referendum was held on November 6th, 1999. Around 99.14%, or 11,683,811 people, of the Australian voting public participated. 45.13%, or 5,273,024 voted yes. However, 54.87%, or 6,410,787 voted no. The Australian people had decided to maintain Australia’s constitutional monarchy.
All things considered, it was probably a wise decision. The chaos caused by establishing a republic would pose a greater threat to our liberties than a relatively powerless old lady. Several problems would need to be addressed. How often should elections occur? How would these elections be held? What powers should a President have? Will a President be just the head of state, or will he be the head of the government as well? Australian republicans appear unwilling to answer these questions.
Margaret Tavits of Washington University in St. Louis once observed that: “monarchs can truly be above politics. They usually have no party connections and have not been involved in daily politics before assuming the post of Head of State.” It is the job of the monarch to become the human embodiment of the nation. It is the monarch who becomes the centrepiece of pageantry and spectacle. And it the monarch who symbolises a nation’s history, tradition, and values.
Countries with elected, or even unelected, Presidents can be quite monarchical in style. Americans, for example, often regard their President (who is both the Head of State and the head of the government) with an almost monarchical reverence. A constitutional monarch might be a lifelong, unelected Head of State, but unlike a President, that is generally where their power ends. It is rather ironic that the Oxford political scientists, Petra Schleiter and Edward Morgan-Jones have noted that allow governments to change without democratic input like elections than monarchs are. Furthermore, by occupying his or her position as Head of State, the monarch is able to prevent other, less desirable people from doing so.
The second great advantage of constitutional monarchies is that they provide their nation with stability and continuity. It is an effective means to bridging the past and future. A successful monarchy must evolve with the times whilst simultaneously keeping itself rooted in tradition. All three of my surviving grandparents have lived through the reign of King George VI, Queen Elizabeth II, and may possibly live to see the coronation of King Charles III. I know that I will live through the reigns of Charles, King William V, and possibly survive to see the coronation of King George VII (though he will certainly outlive me).
It would be easy to dismiss stability and continuity as manifestations of mere sentimentality, but such things also have a positive effect on the economy, as well. In a study entitled Symbolic Unity, Dynastic Continuity, and Countervailing Power: Monarchies, Republics and the Economy Mauro F. Guillén found that monarchies had a positive impact on economies and living standards over the long term. The study, which examined data from one-hundred-and-thirty-seven countries including different kinds of republics and dictatorships, found that individuals and businesses felt more confident that the government was not going to interfere with their property in constitutional monarchies than in republics. As a consequence, they are more willing to invest in their respective economies.
When Wordsworth wrote his ode to Milton, he was mourning the loss of chivalry he felt had pervaded English society. Today, the West is once again in serious danger of losing those two entities that is giving them a connection to the chivalry of the past: a belief in God and a submission to a higher authority.
Western culture is balanced between an adherence to reason and freedom on the one hand and a submission to God and authority on the other. It has been this delicate balance that has allowed the West to become what it is. Without it, we become like Shakespeare’s Hamlet: doomed to a life of moral and philosophical uncertainty.
It is here that the special relationship between freedom and authority that constitutional monarchy implies becomes so important. It satisfies the desire for personal autonomy and the need for submission simultaneously.
The Christian apologist and novelist, C.S. Lewis (1898 – 1964) once argued that most people no more deserved a share in governing a hen-roost than they do in governing a nation:
“I am a democrat because I believe in the fall of man. I think most people are democrats for the opposite reason. A great deal of democratic enthusiasm descends from the idea of people like Rousseau who believed in democracy because they thought mankind so wise and good that everyone deserved a share in the government. The danger of defending democracy on those grounds is that they’re not true and whenever their weakness is exposed the people who prefer tyranny make capital out of the exposure.”
The necessity for limited government, much like the necessity for authority, comes from our fallen nature. Democracy did not arise because people are so naturally good (which they are not) that they ought to be given unchecked power over their fellows. Aristotle (384BC – 322BC) may have been right when he stated that some people are only fit to be slaves, but unlimited power is wrong because there is no one person who is perfect enough to be a master.
Legal and economic equality are necessary bulwarks against corruption and cruelty. (Economic equality, of course, refers to the freedom to engage in lawful economic activity, not to socialist policies of redistributing wealth that inevitably lead to tyranny). Legal and economic equality, however, does not provide spiritual sustenance. The ability to vote, buy a mobile phone, or work a job without being discriminated against may increase the joy in your life, but it is not a pathway to genuine meaning in life.
Equality serves the same purpose that clothing does. We are required to wear clothing because we are no longer innocent. The necessity of clothes, however, does not mean that we do not sometimes desire the naked body. Likewise, just because we adhere to the idea that God made all people equal does not mean that there is not a part of us that does not wish for inequality to present itself in certain situations.
Chivalry symbolises the best human beings can be. It helps us realise the best in ourselves by reconciling fealty and command, inferiority and superiority. However, the ideal of chivalry is a paradox. When the veil of innocence has been lifted from our eyes, we are forced to reconcile ourselves to the fact that bullies are not always cowards and heroes are not always modest. Chivalry, then, is not a natural state, but an ideal to be aimed for.
The chivalric ideal marries the virtues of humility and meekness with those of valour, bravery, and firmness. “Thou wert the meekest man who ever ate in hall among ladies”, said Sir Ector to the dead Lancelot. “And thou wert the sternest knight to thy mortal foe that ever-put spear in the rest.”
Constitutional monarchy, like chivalry, makes a two-fold demand on the human spirit. Its democratic element, which upholds liberty, demands civil participation from all its citizens. And its monarchical element, which champions tradition and authority, demands that the individual subjugate himself to that tradition.
It has been my aim in this essay to provide a historical, practical, and spiritual justification for constitutional monarchy. I have demonstrated that the British have developed ideals of liberty, justice, and good governance. The two revolutions of the 17th century – the English Civil War and the Glorious Revolution – established Great Britain as a constitutional monarchy. It meant that the monarch could not rule without the consent of parliament, established parliament as the supreme source of law, and allowed them to determine the line of succession. I have demonstrated that constitutional monarchs are more likely to uphold democratic principles and that the stability they produce encourages robust economies. And I have demonstrated that monarchies enrich our souls because it awakens in us the need for both freedom and obedience.
Our world has become so very vulgar. We have turned our backs on God, truth, beauty, and virtue. Perhaps we, like Wordsworth before us, should seek virtue, manners, freedom, and power. We can begin to do this by retaining the monarchy.
MUCH ADO ABOUT NOTHING: COMPARING TWO SHAKESPEARE FILMS
The 1993 and 2012 adaptations of Much Ado About Nothing reveal what can be gained and what can be lost when Shakespeare’s plays are adapted to the silver screen. Namely, the 1993 adaptation maintains the integrity of Shakespeare’s literary genius, whilst the 2012 adaptation violates it.
Joss Whedon’s 2012 adaptation attempts to modernise Shakespeare’s works while maintaining its eloquent language. The setting – time and location – of the film do not suit the dialogue spoken. It may be preferable to retain Shakespeare’s original dialogue, but that dialogue can only work if the audience can be made to believe that the characters in that situation would actually talk that way. Otherwise, it distracts from the film’s plot. It would have been advisable to retain Shakespeare’s story but to utilise modern parlance. Joss Whedon’s 2012 adaption of Much Ado About Nothing comes across as a high school media production, and a poorly made one at that. It is precisely what happens when the plays of William Shakespeare are poorly adapted to the screen.
By contrast, Kenneth Branagh’s 1993 adaptation is grand and lavish, being like a breath of fresh air to Shakespeare’s play. Its setting – periodic, though the exact period is hard to confirm, and expansive location (though it takes place in one village, it feels much larger) – means that the audience is more willing to accept the decision to retain the play’s original dialogue. The audience can and does, believe that the characters in the film would actually speak the way they are depicted as speaking. Kenneth Branagh’s adaptation of Much Ado About Nothing is precisely what happens when Shakespeare’s plays are adapted properly to the screen.
CIVILISATION IN TERMINAL DECLINE
Our society appears to be suffering a terminal decline. At least that’s the conclusion traditionalists and devout Christian believers like myself have been forced to conclude. As the old-world withers and vanishes, a culture of selfishness, moral relativism, and general immorality has been allowed to grow in its place. The culture that produced Vivaldi, Dickens, Shakespeare, and Aristotle has been replaced with one that has as its major ambassadors the likes of Kim Kardashian and Justin Bieber.
The first clue that a monumental change had taken place came in the guise of Princess Diana’s farce of a funeral in 1997. An event that was cynically exploited by politicians and celebrities and recorded for public consumption by round-the-clock news coverage (her funeral would be watched by two-and-a-half-billion people). As Gerry Penny of The Conversation noted, Diana’s death marked the beginning of the ‘mediated death.’ A death that is covered by the mass media in such a way that it attracts as much public attention, and therefore revenue, as possible.
Compared to Princess Diana, Winston Churchill’s funeral in 1965 was a spectacle of old world pomp and ceremony. After lying in state for three days, Churchill’s small coffin was carried by horse-drawn carriage along the historic streets of London to Saint Paul’s Cathedral. His procession was accompanied by Battle of Britain aircrews, royal marines, lifeguards, three chiefs of staff, Lord Mountbatten, and his own family. The silence that filled the air was broken only by a funerary march and the occasional honorary gunshot.
Much like Diana’s funeral, tens of thousands of people came to witness Churchill’s funeral. But unlike Diana’s mourners, who did everything they could to draw attention to themselves, Churchill’s mourners were silent and respectful. They realised, unlike Diana’s mourners, that the best way to commemorate a great man was to afford him the respect that his legacy deserved.
Cynics would dismiss Churchill’s funeral as nothing more than a ridiculous display of pomp and ceremony. However, these events serve an important cultural purpose by connecting the individual with his community, his culture, and his heritage. In doing so, they bring about order and harmony.
Winston Churchill was the great Briton of the 20th century. Like Horatio Lord Nelson in the early 19th century, it was Churchill’s leadership that saved Britain from Nazi invasion and it was his strength and resolve that gave ordinary Britons that courage to endure the worst periods of the War.
And understandably, many Britons felt something approximating a kind of personal gratitude towards him. A gratitude deep enough that when he died many felt it to be their duty to file reverently pass his body lying in state or stand in respectful silence as his funeral procession passed. What Churchill’s state funeral did was give the ordinary person the opportunity to pay their own respects and feel that they had played a part, if only in a minute way, in the celebration of his life.
Winston Churchill’s funeral and Princess Diana’s funeral represent eras that are as foreign to one another as Scotland is to Nepal. While Churchill’s funeral represented heritage and tradition, Princess Diana’s funeral symbolised mass nihilism and self-centredness.
But why has this happened? I believe the answer lies in the dual decline of Western culture and Christianity.
The French philosopher, Chantal Delsol described modern Western culture as being akin to Icarus had he survived the fall. (Icarus, of course, being the figure in Greek mythology whose wax wings melted when he flew too close to the sun). Where once it had been strong, resolute, and proud, it has now become weak, dejected, disappointed, and disillusioned. We have lost confidence in our own traditions and ideals.
Of course, the decline of Western culture has a direct correlation with the more consequential decline of Christianity. It is faith that informs culture and creates civilisation, and the faith that has informed the West has been Christianity. It is the moral ideals rooted in the Judeo-Christian tradition – that I love my neighbour, that my behaviour in this life will determine my fate in the next, that I should forgive my enemies – that form the axiomatic principles that undergird Western civilisation.
This faith has been replaced by an almost reverent belief in globalism, feminism, environmentalism, diversity, equality, and human rights. Our secularism has made us believe that those who came before us were ignorant, superstitious, and conformist. And what has the result of this loss of mass religiosity been? Mass nihilism and a decline in moral values.
But when faith falls so too does culture and civilisation. If we are to revive our civilisation, we must be prepared to acknowledge that tradition, heritage, and religion are not only integral, but vital.
I Wandered Lonely as a Cloud
This week for our cultural article we will be examining William Wordsworth’s (1770 – 1850) 1815 poem, I Wandered Lonely as a Cloud.
Biography
William Wordsworth was born on April 7th, 1770 in Cockermouth, Cumberland to John Wordsworth (1740 – 1783), a legal agent to the Earl of Lowther (1736 – 1802), and Ann Wordsworth (1747 – 1778). Wordsworth came as the second of John and Ann’s five children. Richard Wordsworth (1768 – 1816) came before him and was followed by Dorothy (1771 – 1855) (who would aid him throughout his career), Christopher (1774 – 1846), and John, Jr.
Wordsworth attended grammar school near Cockermouth Church as well as Ann Birkett’s school in Penrith. His love of the natural world began early stemming from his childhood living in a terraced garden house along the Derwent River.
Wordsworth experienced personal tragedy early in his life. In March of 1778, Ann Wordsworth died while visiting a friend in London. By June, Wordsworth’s beloved sister, Dorothy, had been sent to live with her mother’s cousin, Elizabeth Threlkheld (1745 – 1837), in Halifax. The pair would not be reunited until 1787. As if that wasn’t bad enough, John Wordsworth, Sr. would die in December of 1783 after being forced to spend a night out in the cold. Following the death of his father, Wordsworth and his brothers were sent to live at the house of Ann Tyson and attended school at Hawkshead. It was here that Wordsworth first began composing prose, an enterprise that was greatly encouraged by his headmaster, William Taylor.
In 1787, Wordsworth went to Cambridge University to attend St. John’s College as a sizar (an undergraduate student receiving financial assistance from the university). That same year, he published his first poem in The European Magazine. Although his academic career was unremarkable, Wordsworth managed to graduate with a Bachelor of Arts in 1791.
During his last term, Wordsworth and his friend, Robert Jones (1769 – 1835), embarked on a walking tour of Europe. The tour would prove to be a great influence on Wordsworth poetry which started in earnest while he was travelling through France and Switzerland. During his travels, Wordsworth was also exposed to the ravages of the French Revolution, an experience which his inspired his lifelong sympathy for the common man.
Between 1795 and 1800, Wordsworth and his sister, Dorothy, would move three times. In 1795, the pair used a legacy obtained from a close relative to move to Dorset. Two years later, they would move to Somerset where Wordsworth would become neighbours and close friends with the poet, Samuel Taylor Coleridge (1772 – 1834). Finally, in 1799, the pair would settle at Dove Cottage in Grasmere following a trip to Germany with Coleridge.
In 1802, Wordsworth returned to France with his sister to meet his illegitimate daughter, Caroline (1792 – 1862), whom he had conceived illegitimately while living in France. Upon his return, he married his childhood friend, Mary Hutchinson (1770 – 1859). Together, the couple sired five children: Reverend John Wordsworth (1803 – 1875), Dora Wordsworth (1804 – 1847), Thomas Wordsworth (1806 – 1812), Catherine Wordsworth (1809 – 1812), and William Wordsworth, Jr. (1810 – 1883).
In 1813, Wordsworth made the Distributor of Stamps for Westmoreland. Years later, following the death of Robert Southey (1774 – 1843), Wordsworth was made Poet Laureate. He died on April 23rd, 1850, in Rydal.
Poem
I wandered lonely as a Cloud
That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the shew to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
Analysis
William Wordsworth is credited with ushering the English romantic movement. Accordingly, Wordsworth is remembered as an intensely spiritual and epistemological writer whose poetry moved away from the grand, moralising themes of the past towards that which explored the purity and beauty of nature.
I Wandered Lonely as a Cloud was first published in Poems in Two Volumes in 1807. (The version analysed here is the 1815 revised version). The poem was inspired by a long walk Wordsworth took with his sister, Dorothy, around Glencoyne Bay, Ullswater. During their walk, the pair came across a “long belt” of daffodils. Wordsworth became inspired to write the poem after reading his sister’s diary description of the walk:
“When we were in the woods beyond Gowbarrow park we saw a few daffodils close to the water side, we fancied that the lake had floated the seed ashore and that the little colony had so sprung up – But as we went along there were more and yet more and at last under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful they grew among the mossy stones about and about them, some rested their heads upon these stones as on a pillow for weariness and the rest tossed and reeled and danced and seemed as if they verily laughed with the wind that blew upon them over the Lake, they looked so gay ever glancing ever changing. This wind blew directly over the lake to them. There was here and there a little knot and a few stragglers a few yards higher up but they were so few as not to disturb the simplicity and unity and life of that one busy highway – We rested again and again. The Bays were stormy and we heard the waves at different distances and in the middle of the water like the Sea.”
— Dorothy Wordsworth, The Grasmere Journal Thursday, 15 April 1802.
I Wandered Lonely as a Cloud consists of four stanzas with six lines each and featured an “ababcc” rhyming sequence. The poem has a peaceful and tranquil feel to it which is expressed through simplistic language, figurative vocabulary, and subtle rhymes. The first three stanzas of the poem describe the narrator’s experiences. Its first line, “I wandered lonely as a cloud” serves to personalise the poem. Likewise, the reference to “a crowd, a host of golden daffodils” describes an ideal place, a form of euphoric paradise which the narrator experiences for the briefest period of time. The second stanza gives the impression that the daffodils were majestic, even other-worldly in their beauty. The narrator even compares them to the stars of the milky way. The poem’s last stanza details the poet’s recollection of his experiences. He describes how his recollection causes his heart to fill the pleasure and “dance with the daffodils.” In the end, I Wandered Lonely as a Cloud reminds us that beauty can only be found when we are willing to slow down and take notice of the world around us.
GREAT EXPECTATIONS (1946)
This week for our weekly cultural article we will be examining the David Lean’s (1908 – 1991) 1946 film Great Expectations, considered to be one of the greatest British films ever made. When it was released in 1946, it was met with glowing reviews. Today, seventy years later, it has been described by Criterion as “one of the greatest translations of literature into film.”
David Lean’s Great Expectations captures the essence of Charles Dicken’s (1812 – 1870) literary genius by juxtaposing his memorable characters with the artful film direction of David Lean. Leans use of black and white to add to the foreboding and melancholy atmosphere of the film. Then there are the numerous dark, creepy, rundown, and ultimately human locations that burn themselves into the memory: the creepy graveyard where a young Pip first meets escaped convict Abel Magwitch, the Kentish marshes, Miss Havisham’s dilapidated and macabre home whose clocks are stopped at the exact time Miss Havisham learnt of her fiance’s betrayal, 19th century London, Mr. Jagger’s offices whose walls are decorated with the death masks of defendants lost to the gallows, the prison where Magwitch dies, and so forth.
Then there are the wealth of memorable characters the film presents to us. The most notable of these is Pip through whom we see all of the tragedy and injustice of early 19th century England. Pip acts as more of an observer to the world around him than an actual protagonist. We first meet Pip (Anthony Wager, 1932 – 1990) as a young orphan being raised by his overbearing older sister (Freda Jackson, 1907 – 1990) and her kindly blacksmith husband (Bernard Miles, 1907 – 1991). It is during this time that Pip first encounters Abel Magwitch (Finlay Currie, 1878 – 1960), a kind yet ultimately decent escaped convict, in the cemetery, and when his heart is broken by the coquettish Estella (Jean Simmons, 1929 – 2010) and the dishevelled and deranged Miss Havisham (Martita Hunt, 1900 – 1969).
As the film progresses, we see Pip grow into a young man, played by John Mills (1908 – 2005), who, it could be argued, was perhaps a little too old to play Pip in his early twenties. This Pip has been bequeathed a large allowance by an unknown benefactor and travels to London with the view of becoming a gentleman. There he forms a friendship with the Herbert Pocket (Alec Guinness, 1914 – 2000) who helps him refine his manners. The adult Pip finds himself corrupted by the ponce and ceremony of the English upper-class and is ashamed to admit that he would have paid money to keep Joe Gargery, dressed in his cheap suit and awkward manner, away. Pip is forced to reexamine his views after discovering that his benefactor is none other than the escaped convict Magwitch, who was so struck by Pip’s childhood compassion that he was inspired to make something of himself and become his benefactor. Magwitch’s kindness and gratitude cause Pip to regain his lost humanity.
Great expectations represents a type of film that no longer exists: one that deals entirely with the human condition. These films are no longer made because they often do not involve exciting elements, but rather present characters that are flawed and suffering and places these characters in stories that are essentially tragic in nature. These films are no longer made because they do not fit into the blockbuster formula. Rather than the larger-than-life heroes of the blockbuster, films on the human condition feature characters that are ultimately flawed and suffering. These characters are placed in stories that are ultimately tragic in their nature. A far cry from the often over-the-top plots of the modern blockbuster. There is something deeply satisfying about films like Great Expectations which shows normal people to be capable of leading a dignified existence regardless of the tragedy and suffering they are forced to face.
THE LADY VANISHES
This week for our cultural article, we will be examining Alfred Hitchcock’s (1899 – 1980) 1938 film, The Lady Vanishes. Set primarily on a train bound for England from Central Europe, Hitchcock’s film weaves an intriguing and intense narrative around characters united and divided by their snobbery, self-centredness, complacency, and nationalism.
The Lady Vanishes is one-part comedy, one-part murder mystery, and one-part thriller. The film’s first act is rather comedic in nature. A recent avalanche has blocked the train lines, forcing most of the residents to remain at the hotel overnight. The hotel in question becomes so overbooked and so strained in its resources, that two of its guests are forced to sleep in the maid’s quarters. This first act draws the audience in with its lighthearted attitude and its mixture of verbal and physical humour. Not even the murder of a folk singer outside the hotel is enough to distract us from the revelry.
The first act ends with the disappearance of the film’s titular character, Miss Froy (May Whitty, 1865 – 1948). From this point, the film becomes a murder mystery with Iris Henderson (Margaret Lockwood, 1916 – 1990), a wealthy socialite, and her helper, the musicologist Gilbert Redman (Michael Redgrave, 1908 – 1985), searching for her. Here Hitcock begins to play subtle tricks on our minds. We, like Iris Henderson, know Miss Froy exists, but the other characters deny ever having seen her. Simultaneously, Hitchcock plays with our curiosity and our frustration. Eventually, Miss Froy is found and the film then climaxes with a thrilling and action-packed third-act.
Eventually, Miss Froy is found and the film then climaxes with a thrilling and action-packed third-act. This act becomes a fight for survival as the film’s British characters are forced to fight against unnamed foreign forced outside.
Throughout the Lady Vanishes, themes of nationalism and class-snobbery pop-up. The film’s British characters and arrogant and insular in their attitudes. When it appears that they are about to be killed by foreign police officers, one Brit rather proudly exclaims: “They can’t do anything to us. We’re British subjects.” This is juxtaposed by the subtle undercurrent of politics, exemplified by the film’s antagonists, who may or may not be in league with Fascist Italy.
Then there’s the notion of social class and the snobbery and divisiveness that goes with it. (A reality Hitchcock, as the son of a trader, was quite familiar with). Hitchcock cynically links money and title together by having Iris return to England to marry Lord Charles Forthingale for no other reason than to appease her father, who is reportedly “aching to have a coat of arms on the jam label.” Then there’s the cricket-obsessed Charters (Naunton Wayne, 1901 – 1970) and Caldicott (Basil Radford, 1897 – 1952) representing the idle upper-class. (These two would become popular stock characters in numerous films, radio plays, and television shows). And then there’s the travelling lawyer (Cecil Parker, 1897 – 1971) and his mistress (Linden Travers, 1913 – 2001) who avoid contact with those they deem beneath them, and who are perfectly prepared to lie to protect their precious social status.
The Lady Vanishes has frequently been credited as Hitchcock’s last great British film. Hitchcock masterfully weaves elements of mystery, suspense, humour, international politics, class-snobbery, and nationalism together to form an intriguing story. The Lady Vanishes is still as intriguing today as it was nearly eighty years ago.
NOW IS THE WINTER OF OUR DISCONTENT
This week for our cultural article we will be looking at the Now is the Winter of Our Discontent soliloquy from William Shakespeare’s Richard III.
The play, which was first published in 1597, deals with the rise and fall of the Machiavellian king, Richard III. It follows Richard as he lies, cheats, manipulates, and ultimately murders his way from the position of Duke of Gloucester to the Kingship of England. Then, finally, it follows his fall from power as he struggles to keep his kingdom unified, and ends with his death at the Battle of Bosworth field and the declaration of the Tudor dynasty.
WILLIAM SHAKESPEARE
William Shakespeare is one of the most important figures of the English Renaissance, living through the reign of Elizabeth I and the early years of James I. Over the course of his life, he published over thirty plays, as well as numerous poems and sonnets.
William Shakespeare was born on April 23rd, 1564 in Stratford-Upon-Avon. His father, John Shakespeare, was an alderman and successful glove-maker. His mother, Mary Arden, was the daughter of an affluent farmer. Young Shakespeare probably received an education at Edward IV Grammar school in Stratford. There he would have become familiar with the Roman dramatists, Latin, and the basics of Ancient Greek.
At eighteen, Shakespeare married Anne Hathaway, a woman eight years his senior. Together, the couple would have three children: Susanna, Judith, and Hamnet (who would die in childhood). He would die at the age of fifty-two on April 23rd, 1616.
RICHARD III – CHARACTER
Countless villains, from Darth Vader and Emperor Palpatine to Lord Voldemort, owe their existence to Shakespeare’s infamous character. Shakespeare presents Richard to us as a murderous psychopath, a Machiavellian villain driven by jealousy and a mad lust for power.
THE SOLILOQUY
The word “now” implies that the play is taking place in the present. Similarly, “sun” is a pun referring to both warmth and brightness of summer and to the son of the Duke of York. Ultimately, Richard is referring to the brief period of peace brought about by his brother’s, Edward IV’s, ascent to the throne of England.
Here Richard tells us that all the hardships his family had endured have been buried in the “deep bosom of the ocean.”
The Yorks have won the War of the Roses (for now) and wear the laurel wreaths of victorious heroes upon their heads. The weapons they used have been hung on the walls to memorialise their victory. And now, with peace and order restored, the call of battle has morphed into the sound of people chatting and being friendly with one another. There is even a little dancing. If war were a person, Richard tells us, his gruff facial features have been smoothed out into something kinder and more pleasant.
King Edward, Richard informs us, is no longer riding into battle and commanding his army to put the fear of God into his enemies. Instead, he is making love to music in a lady’s chamber.
To the Virgins, to Make Much of Time
Once a week, King Alfred Press will be examining a work of Western Culture. These works can include literature, poetry, film, art, music, or anything else considered ‘cultural.’
This week we will be examining the poem To the Virgins, to Make Much of Time. The poem was published in 1648 as part of a volume of verse entitled Hesperides, written by lyrical poet and cleric, Robert Herrick (1591 – 1674). (It was one of twenty-five-hundred poems Herrick would write in his lifetime).
THE POET
Over the course of his eighty-three years, Herrick lived through the reigns of Elizabeth I (1533 – 1603), James I (1566 – 1625), Charles I (1600 – 1649), and Charles II (1630 – 1685), as well as the English Civil War (1642 – 1651) and the subsequent English Commonwealth (1653 – 1660) under Oliver Cromwell (1599 – 1658).
THE POEM
Gather ye rosebuds while ye may,
Old time is still a-flying;
And this same flower that smiles today
To-morrow will be dying.
The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And, while ye may, go marry:
For having lost but once your prime,
You may forever tarry.
SUMMARY
The opening line, “gather ye rosebuds while ye may”, provides clues to the poem’s influences. In the Wisdom of Solomon (chapter two, verse eight), the phrase: “Let us crown ourselves with rosebuds before they wither.” The closing line of De Rosis Nascentibus, attributable to either Ausonius or Virgil, is:
“Collige, virgo, rosas, dum flos novus et nova pubes,
et memor esto aevum sic properare tuum.”
In English, this translates to: “Maidens, gather roses, while blooms are fresh and youth is fresh, and be mindful that your life-times hastes away.” Edmund Spenser (1552 – 1599) the Faerie Queen has a young man in the Bower of Bliss sing:
“Gather therefore the Rose, whilest yet is prime,
For soone comes age, that will her pride deflowre:
Gather the Rose of love, whilest yet is time,
Whilest loving thou mayst loved be with equall crime.”
Whilst, Shakespeare’s (1564 – 1616) sonnet eighteen begins with the couplet:
“Rough winds do shake the darling buds of May,
And summer’s lease has all too short a date.”
Interestingly, the title of Herrick’s poem may provide us with a clue as to its intentions. The poem’s title addresses itself to ‘the virgins’ – young, beautiful woman – and advises them ‘to make much of time’ – use their beauty and their youth while they still have the chance.
Herrick’s poem is one of the most famous examples of ‘Carpe Diem’ type sentimentality. The term, ‘carpe diem’ or ‘seize the day’, is a Latin sentiment attributable to the Roman lyrical poet, Horace (65BC – 8BC). We are asked, by Herrick and Horace, among others, to understand the brevity of our lives and to make the most of what ever precious moments happen to be presented to us. In this sense, to the Virgins is an advisory poem, an attempt by Herrick to impart some wisdom to us. “The sun is only going to shine on you for a brief moment”, Herrick appears to be telling us, “so make the most of it.” Even beauty and youth fades: “and this same flower that smiles today/ to-morrow will be dying.”
