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This week for our weekly cultural article we will be examining the David Lean’s (1908 – 1991) 1946 film Great Expectations, considered to be one of the greatest British films ever made. When it was released in 1946, it was met with glowing reviews. Today, seventy years later, it has been described by Criterion as “one of the greatest translations of literature into film.”
David Lean’s Great Expectations captures the essence of Charles Dicken’s (1812 – 1870) literary genius by juxtaposing his memorable characters with the artful film direction of David Lean. Leans use of black and white to add to the foreboding and melancholy atmosphere of the film. Then there are the numerous dark, creepy, rundown, and ultimately human locations that burn themselves into the memory: the creepy graveyard where a young Pip first meets escaped convict Abel Magwitch, the Kentish marshes, Miss Havisham’s dilapidated and macabre home whose clocks are stopped at the exact time Miss Havisham learnt of her fiance’s betrayal, 19th century London, Mr. Jagger’s offices whose walls are decorated with the death masks of defendants lost to the gallows, the prison where Magwitch dies, and so forth.
Then there are the wealth of memorable characters the film presents to us. The most notable of these is Pip through whom we see all of the tragedy and injustice of early 19th century England. Pip acts as more of an observer to the world around him than an actual protagonist. We first meet Pip (Anthony Wager, 1932 – 1990) as a young orphan being raised by his overbearing older sister (Freda Jackson, 1907 – 1990) and her kindly blacksmith husband (Bernard Miles, 1907 – 1991). It is during this time that Pip first encounters Abel Magwitch (Finlay Currie, 1878 – 1960), a kind yet ultimately decent escaped convict, in the cemetery, and when his heart is broken by the coquettish Estella (Jean Simmons, 1929 – 2010) and the dishevelled and deranged Miss Havisham (Martita Hunt, 1900 – 1969).
As the film progresses, we see Pip grow into a young man, played by John Mills (1908 – 2005), who, it could be argued, was perhaps a little too old to play Pip in his early twenties. This Pip has been bequeathed a large allowance by an unknown benefactor and travels to London with the view of becoming a gentleman. There he forms a friendship with the Herbert Pocket (Alec Guinness, 1914 – 2000) who helps him refine his manners. The adult Pip finds himself corrupted by the ponce and ceremony of the English upper-class and is ashamed to admit that he would have paid money to keep Joe Gargery, dressed in his cheap suit and awkward manner, away. Pip is forced to reexamine his views after discovering that his benefactor is none other than the escaped convict Magwitch, who was so struck by Pip’s childhood compassion that he was inspired to make something of himself and become his benefactor. Magwitch’s kindness and gratitude cause Pip to regain his lost humanity.
Great expectations represents a type of film that no longer exists: one that deals entirely with the human condition. These films are no longer made because they often do not involve exciting elements, but rather present characters that are flawed and suffering and places these characters in stories that are essentially tragic in nature. These films are no longer made because they do not fit into the blockbuster formula. Rather than the larger-than-life heroes of the blockbuster, films on the human condition feature characters that are ultimately flawed and suffering. These characters are placed in stories that are ultimately tragic in their nature. A far cry from the often over-the-top plots of the modern blockbuster. There is something deeply satisfying about films like Great Expectations which shows normal people to be capable of leading a dignified existence regardless of the tragedy and suffering they are forced to face.
This week for our cultural article, we will be examining Robert Frost’s (1874 – 1963) poem, The Road Not Taken.
First appearing in Frost’s poetry collection, Mountain Interval, in 1916, The Road Not Taken is one of America’s most enduring poems. It has become a part of our cultural lexicon, appearing in in numerous films and books, among other mediums, including, most notably, Dead Poet’s Society (1989), as well as in advertisements for Nicorette, Mentos, AIG, Ford, and more.
Robert Lee Frost was born in San Francisco, California, on March 26th, 1874, to William Prescott Frost, Jr. (185- – 1885), a journalist, and Isabella Moodie (1844 – 1900). William Frost would die of tuberculosis when Frost was eleven years old. Shortly after, he would move with his mother and younger sister, Jeanie, to Lawrence, Massachusetts.
It was during high school that Frost first developed an interest in poetry and literature. In 1892, Frost enrolled at Dartmouth College in Hanover, New Hampshire. He dropped out after only two months and took a series of menial jobs – teacher, cobbler, and editor of the Lawrence Sentinel, among others – to support himself. Later he would attend Harvard University but would drop out due to poor health.
Robert Frost published his first poem, The Butterfly, in the New York newspaper, The Independent, in 1894. On December 19th, 1895, Frost married Elinor Miriam White (1873 -1938), with whom he had shared valedictorian honours in high school. Together, the couple would have six children, only two of whom would live to see old age. Elliot Frost, born 1896, would die of Cholera in 1900. Carol Frost, born 1902, would commit suicide in 1940. Marjorie Frost, born 1905, would die in childbirth in 1935. Elinor Frost, born 1907, would die in infancy. Only Leslie Frost, born 1899, and Irma Frost, born 1903, would live to see old age.
After failing to generate enough income as farmers in New Hampshire, the Frosts emigrated to England in 1912. There Robert Frost made numerous friends, and garnered inspiration, with various British poets and writers. Among these were Edward Thomas (1878 – 1917), Rupert Brooke (1887 – 1915), Robert Graves (1895 – 1985), and Ezra Pound (1885 – 1972) – who helped Frost publish and promote his poetry. The Frosts returned to America in 1915. By this time, Robert Frost had published two collections of his poetry, A Boy’s Hill, published 1913, and North of Boston, published in 1914.
By the 1920s, Robert Frost had become the most celebrated poet in America. He received more and more accolades, which included Pulitzer prizes, with every collection of poetry he published.
In 1938, Robert Frost was widowed when his wife, Elinor, lost her battle with breast cancer. He never remarried. Between 1958 and 1959, Frost served as the consultant for poetry at the Library of Congress. Robert Frost died in Boston, Massachusetts, on January 29th, 1963. He was eighty-eight years old.
This is our weekly theological article.
It is a common complaint of the media that criminals are not given an appropriately severe punishment. An article in The Express, SNP Plot to Scrap Short Jail Sentences Could See Thousands of Criminals Avoid Prison, argues that plans to introduce a “presumption against” sending people to prison will mean that thousands of people convicted of serious crimes will avoid prison. In another article, this time from the Herald Sun, prosecutors in Australia complained that the sentences criminals received were not in line with community standards.
Of course, this represents the common misconception, perpetuated by the media, that the judiciary exists to serve the standards of the community. It does not. Rather, the Justice System exists independently of both public opinion and politics. It bases its decisions on equality before the law and justice for all.
Much of the media’s rhetoric is designed to feed off of our very human desire for revenge based justice. When we read about a rape or child murder in our daily newspapers, often our first reaction is to wish all kinds of cruel and inhumane punishments to be exacted on the criminal guilty of those crimes. Our indignation turns us into barbarians, not civilised people.
In his encyclical, Dives in Misericordia, Pope John Paul II warns of how justice can quickly devolve into cruelty and hatred when it is not tempered by mercy:
“It would be difficult not to notice that very often programmes which start from the idea of justice and which ought to assist its fulfilment among individuals, groups and human societies, in practice suffer from distortions. Although they continue to appeal to the idea of justice, nevertheless experience shows that other negative forces have gained the upper hand over justice, such as spite, hatred and even cruelty.”
God tempers His divine justice with mercy. If He were to judge us purely on our thoughts and deeds we would surely be condemned to hell. But in his mercy and love for us, He allowed his only Son to suffer and die on the Cross so we may be freed from the shackles of sin and death.
St. Thomas Aquinas wrote, “mercy without justice is the mother of dissolution; justice without mercy is cruelty.” It is precisely this idea, that justice ought to be tempered by mercy, that should drive the way we treat those who have harmed us. As Isabella tells Antonio in Measure for Measure: “it is excellent to have a giant’s strength, but tyrannous to use the strength of a giant.” We should never forget that the person who has wronged us is a human being who is as loved by God and as deserving of His forgiveness as we are.
Terrorists have detonated a bomb on the eastbound district line train at the Parsons Green Tube in West London.
Eyewitnesses reported hearing loud bangs coming from a bucket, possibly an improvised explosive device, located towards the rear of the train around 8am, British time. One eyewitness told Sky News that they reported seeing a “white builder’s bucket” with a “foiled carrier back” (possibly a Lidl supermarket carrier bag). This bucket has also been described as having “wires hanging from it and a strong smell of chemicals… a chemical smell more than a burning smell.”
One witness told BBC 5:
“I heard a really loud explosion – when I looked back there appeared to be a bag but I don’t know if it’s associated with it. I saw people with minor injuries, burnings to the face, arms, legs, multiple casualties in that way. People were helping each other.”
Another witness said:
“There were a lot of people limping and covered in blood. One guy I saw, his face was covered in blood – I’ve never seen anything like it.”
Police and ambulances were on the scene within minutes of the blast. The explosion and subsequent stampede caused injuries to twenty-two people. Fortunately, no one has been killed and none of the injuries have been described as life-threatening or critical.
Islamic State claimed responsibility for the attack through their Amaq News Agency on Friday evening. British Prime Minister, Theresa May, has raised the UK’s terror threat level from severe to critical.
British Prime Minister, Theresa May, has raised the UK’s terror threat level from severe to critical. May offered her thoughts to “those injured Parsons Green emergency services who are responding bravely to this terrorist incident.” Scotland Yard, meanwhile, has confirmed that they are treating the incident as a terrorist attack.
Over in the US, the Trump administration stated that President Trump’s:
“Sympathies and prayers for those injured in the terrorist attack today in London. The president pledged to continue close collaboration with the United Kingdom to stop attacks worldwide targeting innocent civilians and to combat extremism.”
President Trump stated in a speech at Joint Base Andrew that he expressed:
“America’s deepest sympathy as well as our absolute commitment to eradicating the terrorists from our planet.”
Is there any other time in history more malaligned than the Middle Ages? Our modern conception of the so-called “dark ages” is that it was time characterised by superstition, barbarity, oppression, ignorance with a few outbreaks of the plague, just to make things interesting.
This view has been helped by numerous so-called educational resources. BBC’s Bitesize website, for example, takes a leaf from certain 19th-century British historians, the type of who saw Catholics as ignorant and childish, and caricatures Medieval peasants as “extremely superstitious” individuals who were “encouraged to rely on prayers to the saints and superstition” for guidance through life. It even accuses the Catholic Church of stagnating human thought and impeding technological development.
This does not represent the view, however, of many serious historians and academics. As Professor Ronald Numbers of Cambridge University explains:
“Notions such as: ‘the rise of Christianity killed off ancient science’, ‘the medieval Christian Church suppressed the growth of the natural sciences’, ‘the medieval Christians thought that the world was flat’, and ‘the Church prohibited autopsies and dissections during the Middle Ages’ [are] examples of widely popular myths that still pass as historical truth, even though they are not supported by historical research.’
In reality, the Middle Ages saw advances in law, politics, the sciences, theology, philosophy, and more. It saw the birth of the chartered town which ushered in the tradition of local self-governance. The existence of a strong papacy laid the foundations of limited political power as it prevented monarchs, who justified their power through their so-called “unique” relationship with God and the Church, from monopolising power. This symbolic limitation on monarchical power was manifested in the Magna Carta (1215) and the birth of the English Parliament.
The people of the Middle Ages produced magnificent Gothic cathedrals and churches. Many medieval monks became patrons of the arts and many were even artists themselves. In literature, the Middle Ages saw Dante’s the Divine Comedy and Geoffrey Chaucer’s Canterbury Tales. In music, the Middle Ages laid the foundation of Western classical music and saw the development of musical notation, western harmony, and many of the Christmas carols we know and love today.
Likewise, the Carolingian Renaissance of the 8th and 9th centuries saw advancements in the study of literature, architecture, jurisprudence, and theology. Medieval scholars and scientists, many of whom were monks and friars, studied natural philosophy, mathematics, engineering, geography, optics, and medicine.
In the spirit of intellectual and spiritual enlightenment, many universities, including Oxford University, Cambridge University, and the University of Cologne. These universities educated their students on law, medicine, theology, and the arts. In addition, the period also saw the foundation of many schools and many early Christian monasteries were committed to the education of the common people.
The Middle Ages saw advances in science, literature, philosophy, theology, the arts, music, politics, law, and more. Its legacy is all around us: whether it is in the limitations placed on the powers of Governments, the music we listen to, or in the tradition of education many of us have benefited from. In an era of political correctness perhaps we should be wondering whether we’re living in the “dark ages.”