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In 2015, the then-Presidential candidate, Donald Trump (1946 – ) called for a boycott of Starbucks after the famous coffee shop chain failed to include the words “Merry Christmas” on their annual Christmas cups. “Did you read about Starbucks?”, Trump asked a rally in Springfield, Illinois. “No more ‘Merry Christmas’ on Starbucks. Maybe we should boycott Starbucks.”
Two years later, Donald Trump, now President of the United States, doubled down on his pro-Christmas message. Speaking at a Christian Public Policy conference, the President stated:
“We’re getting near that beautiful Christmas season that people don’t talk about anymore. They don’t use the word ‘Christmas’ because it’s not politically correct.”
“You got to department stores and they’ll say, ‘Happy New Year’, or they’ll say other things and it’ll be red, they’ll have it painted. But they don’t say it. Well, guess what? We’re saying ‘Merry Christmas’ again.”
The sentiment that there is a War on Christmas designed to push the religious holiday out of public consciousness carries a great deal of validity. Since 2000, the Becket Institute has listed the biggest Christmas scrooges in American public life, giving the worst offenders an ‘Ebenezer award.’
In 2000, city manager of Eugene, Oregon, Jim Johnson was given the Ebenezer Award after he issued a five-page memo banning Christmas trees from any “public space” in the city.
In 2011, the Ebenezer Award was given to the United States Post Office after they enforced a policy preventing people from singing Christmas carols on Government property. This decision stands in direct contradiction to Benjamin Franklin’s (1706 – 1790) (their founder) commandment to “always live jollily; for a good conscience is a continual Christmas.”
In 2014, the City of Sioux Falls was given the Ebenezer Award after they threatened to repaint and censor snowploughs that featured artwork celebrating the religious nature of Christmas.
In 2015, the Ebenezer Award was given to the Department of Veteran Affairs after they banned their employees at their Salem, Virginia facility from saying ‘Merry Christmas.’
The problem is not unique to the United States, either. During an interview with 2GB Radio, Peter Dutton (1970 – ), Australia’s minister for immigration and border protection, became incensed after a caller informed him that there had not been any Christmas carols in a performance at his grandchild’s school. The caller informed Dutton that the school in question, Kerdon State High School, had replaced the lyric “we wish you a Merry Christmas” with “we wish you a happy holiday.” Dutton replied: “You make my blood boil with these stories. It is political correctness gone mad and I think people have just had enough of it.”
I believe that the drive to remove the more traditional and religious aspects from holidays like Christmas and Easter is indicative of a larger attempt to abolish the influence of Christianity on society and culture.
The problem with this, needless to say, is that it is akin to chopping down a tree and still wishing to enjoy its fruits. It is not possible to enjoy the fruits of Western culture and civilisation when its ideological origins and overarching philosophical-cum-theological structures have been removed. Christianity and Western civilisation are inextricably linked. The poet, T.S. Eliot (1888 – 1965) wrote in Notes Towards the Definition of Culture (1943) that “to our Christian heritage we owe many things besides religious faith. Through it we trace the evolution of our arts, through it we have a conception of Roman Law which has done so much to shape the Western world, through it we have our conception of private and public morality.”
The War on Christmas is an attack on the very fabric of Western Civilisation. Christmas symbolises the central axiom our culture was built on: that the Universe was constructed to have a natural and moral order. The War on Christmas is not merely an attack of Judeo-Christian belief, nor is it merely an attack on Western culture, it is an attack upon truth itself. And the truth cannot prosper while those who believe it are unwilling to defend it.
This week for our cultural article, we will be examining Rembrandt’s (1606 – 1669) 1642 painting, “The Night Watch.”
“The Night Watch” represents a style of painting that was unique to Holland and the northern Netherlands during the 17th century: the Schuttersstuk. Furthermore, Rembrandt’s rendition is, in and of itself, a highly original rendition in that it does not rely upon the typical rows of figures common to the style. Instead, Rembrandt’s painting featured animated subjects engaged in the various duties and responsibilities of the Civic Guard.
Painted using oils on a 142.9 by 172.0-inch canvas, “The Night Watch” is Rembrandt’s largest painting. Despite its title, the painting is actually set during the day. The reason the painting’s background looks so dark is that the varnish Rembrandt used darkened over the years. It was restored to its original glory in the 1940s, but the name “The Night Watch” stuck. On a side note, it is interesting to observe Rembrandt’s well-known use of the technique ‘chiaroscuror’ (Italian for ‘light-dark’) which uses light and dark to create dramatic contrasts and a sense of three-dimensionality.
Painted during the Dutch Golden Age, Rembrandt was commissioned to create the painting by the Kloveniersdolen – the guild hall of the Amsterdam Civic Guard Company of Musketeers. In the Netherlands, Civic Guardsmen were tasked with the defence of their cities, the maintenance of law and order, firefighting, and forming a strong presence during festivities and parades for visiting royalty. Each company of Civic Guardsmen had its own guild hall decorated, according to tradition, with group portraits of distinguished members. These portraits were designed to evoke a sense of affinity between the members of the company and asserted their power and status within the cities they protected.
This week for our cultural article, we will be examining Robert Frost’s (1874 – 1963) poem, The Road Not Taken.
First appearing in Frost’s poetry collection, Mountain Interval, in 1916, The Road Not Taken is one of America’s most enduring poems. It has become a part of our cultural lexicon, appearing in in numerous films and books, among other mediums, including, most notably, Dead Poet’s Society (1989), as well as in advertisements for Nicorette, Mentos, AIG, Ford, and more.
Robert Lee Frost was born in San Francisco, California, on March 26th, 1874, to William Prescott Frost, Jr. (185- – 1885), a journalist, and Isabella Moodie (1844 – 1900). William Frost would die of tuberculosis when Frost was eleven years old. Shortly after, he would move with his mother and younger sister, Jeanie, to Lawrence, Massachusetts.
It was during high school that Frost first developed an interest in poetry and literature. In 1892, Frost enrolled at Dartmouth College in Hanover, New Hampshire. He dropped out after only two months and took a series of menial jobs – teacher, cobbler, and editor of the Lawrence Sentinel, among others – to support himself. Later he would attend Harvard University but would drop out due to poor health.
Robert Frost published his first poem, The Butterfly, in the New York newspaper, The Independent, in 1894. On December 19th, 1895, Frost married Elinor Miriam White (1873 -1938), with whom he had shared valedictorian honours in high school. Together, the couple would have six children, only two of whom would live to see old age. Elliot Frost, born 1896, would die of Cholera in 1900. Carol Frost, born 1902, would commit suicide in 1940. Marjorie Frost, born 1905, would die in childbirth in 1935. Elinor Frost, born 1907, would die in infancy. Only Leslie Frost, born 1899, and Irma Frost, born 1903, would live to see old age.
After failing to generate enough income as farmers in New Hampshire, the Frosts emigrated to England in 1912. There Robert Frost made numerous friends, and garnered inspiration, with various British poets and writers. Among these were Edward Thomas (1878 – 1917), Rupert Brooke (1887 – 1915), Robert Graves (1895 – 1985), and Ezra Pound (1885 – 1972) – who helped Frost publish and promote his poetry. The Frosts returned to America in 1915. By this time, Robert Frost had published two collections of his poetry, A Boy’s Hill, published 1913, and North of Boston, published in 1914.
By the 1920s, Robert Frost had become the most celebrated poet in America. He received more and more accolades, which included Pulitzer prizes, with every collection of poetry he published.
In 1938, Robert Frost was widowed when his wife, Elinor, lost her battle with breast cancer. He never remarried. Between 1958 and 1959, Frost served as the consultant for poetry at the Library of Congress. Robert Frost died in Boston, Massachusetts, on January 29th, 1963. He was eighty-eight years old.
At a security conference in Germany, the former British Prime Minister, David Cameron, condemned multiculturalism as a failure. He stated: “we need less of the passive tolerance of recent years and much more active, muscular liberalism.” In a similar statement, the French president, Nicolas Sarkozy, also condemned the doctrine of multiculturalism. Sarkozy told the French people: “we have been too concerned about the identity of the person who was arriving and not enough about the identity of the country that was receiving him.” In recent years, the Western nations that have preached multiculturalism and diversity as bastions of peace, tolerance, and diversity – Great Britain, France, Germany, the United States – have been the primary targets of radical Islamic terrorism.
Progressives like to believe multiculturalism and diversity create harmonious and peaceful societies. When, in reality, it creates division. Telling newcomers that they do not have to assimilate into their adopted culture fosters tribalism: Irish form communities with fellow Irish, Muslims form communities with fellow Muslims, Japanese form communities with fellow Japanese, and so forth. As these cultures, especially those lacking the fundamental roots and beliefs of their adopted countries, compete for supremacy, they inevitably conflict with one another. So, whilst Germanic and French cultures may be able to live harmoniously thanks to their shared Christian heritage, the same cultures would not fare as well if they were expected to co-exist with a culture whose central tenants are profoundly different.
Why am I harping on about the inherent faults in multiculturalism and diversity? It is because I believe we have created the greatest culture mankind has ever seen: a culture that has produced Shakespeare, Mozart, Voltaire, Plato, Aristotle, John Locke, freedom and democracy, the television, the I-Phone, the movies, free market capitalism, Van Gogh, Da Vinci, Einstein, Newton, Mary Shelley, the Bronte sisters, and more. And I believe it is a culture worth protecting. And how do we protect it? We start by protecting the very things that have made the West so great in the first place: Christianity, an adherence to truth and a deep esteem towards the logos, the supremacy placed on individual rights and liberties, the free-market place of ideas and commerce, Small Governments, and political freedom.
Moral and cultural relativism is being used to tear down and replace the existing social order. When the Mayor of London, Shadiq Khan, is able to state “terror attacks are part and parcel of living in a big city” and young German women are able to hold signs proudly proclaiming “will trade racists for rapists” unopposed, it is clearly time for certain ideas to go away.