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A Few Reflections on Adolf Hitler
I have just finished reading, Hitler: Ian Kershaw’s brilliant, two-volume biography on Adolf Hitler. Over the course of 1432 pages, Kershaw uncovers why Hitler, a man not all too dissimilar from other tyrants in history, has become synonymous with evil.
Kershaw also reveals the gap between Hitler’s public image and private personality. He reveals the difference between the rabble rouser capable of captivating the masses by exploiting their fears, prejudices, and desires, and the lacklustre reality. Kershaw shows how Hitler transformed Nazism into a national religion – complete with its own songs, fables, and rituals – and how he transformed himself into its demagogue.
Hitler projected a persona that embodied all the ideals of German nationalism. He presented himself as the archetype of German pride, efficiency, and self-discipline. In Hitler, the German people found the living embodiment of their fears and aspirations.
Furthermore, Hitler presented himself as the saviour of a nation on the brink of ruin. This was not entirely his doing, by the early-thirties things had grown so dire in Germany that people were willing to throw their lot in with anyone promising to restore law, order, and honour. Hitler promised all that and more. Utilising what we today would recognise as identity politics, Hitler promised to restore national pride and wreak vengeance on Germany’s enemies. He divided the world into victims (the German people), perpetrators (international Jewry and Marxists), and saviours (the Nazis).
It would be far too simplistic, however, to conclude that Hitler brainwashed the German people. Rather, Hitler and the German people became intertwined in the same unconscious conspiracy. Hitler may have been the one to espouse the kind of murderous ideas that led to Auschwitz and Stalingrad, but it was the German people who gave those ideas their full, unconscious support. As time marched on, Hitler’s sycophancy was taken as political genius.
By telling the German people what they wanted to hear, Hitler was able to present himself as a national saviour. The reality was far different. He was a man with virtually no personality. He had no connection whatsoever with ordinary people. He never held an ordinary job, never had children, and only married his mistress, Eva Braun, the day before his suicide. Albert Speer, the Nazi architect and one of the few men Hitler counted as a friend, described him as a duplicitous, insecure individual who surrounded himself with shallow and incompetent people, laughed at the misfortunes of others, and retreated into “fantastic mis-readings” or reality.
Furthermore, whilst Hitler presented himself as the hardworking political demagogue of unmatched genius, he was, in reality, a lazy, egotistical man whose rise to power rested on the cynical manipulation of national institutions. Far from being the tireless worker he presented himself to be, Hitler actually proved unable to deal with numerous major crises during the War because he was still asleep. He saw his role as being the creator of Nazi ideology. The actual running of Germany he left to his functionaries.
When Hitler toured Paris following the fall of France in 1940, he made a special visit to the tomb of Napoleon Bonaparte. Saluting the Emperor’s marble tomb, Hitler commented, in typical egotistical style that like Napoleon his tomb would only bear the name “Adolf” because “the German people would know who it was.”
He was not entirely wrong. The name Adolf Hitler is remembered today. However, far from being remembered as the founder of a thousand-year Reich, he is remembered as a genocidal fruitcake whose legacy is as inglorious as his life. Hitler and Napoleon may have been similar in many ways (both were foreigners to the countries they would end up ruling, both reigned for a short period of time, and both significantly altered the course of history), but where Napoleon left a legacy that is still very much with today, Hitler failed to leave anything of lasting significance
But perhaps that is precisely what Hitler wanted. Carl Jung has a dictum: if you want to understand someone’s motivations for doing something, look at the outcome and infer the motivation. In his brief twelve-years in power, Hitler led the German people into a war that cost fifty-million lives, presided over a Holocaust that murdered eleven million people, and oversaw the destruction of the old Europe. If Adolf Hitler could be summarised in a single quote, the line from the ancient Hindu text, Bhagavad Gita would prove sufficient: “Now I am become death, the destroyer of worlds.”
The Death of Comedy
In March of this year, the vlogger Mark Meechan was convicted in a Scottish Court of violating the Communications Act 2003 for a video he had uploaded to YouTube in April 2016. The video, which Meechan claimed had been produced for comedic purpose (he claimed he wanted to annoy his girlfriend), featured a pug dog making Hitler salutes with its paw, responding to the command “gas the Jews” by tilting its head, and watching a Nazi rally at the 1936 Berlin Olympics.
The Scottish Court that convicted Meechan (who is much better known as ‘Count Dankula’) concluded that he had been motivated to produce the video by religious prejudice. Perhaps without realising it, by convicting Meechan, the Scottish legal system has illustrated the importance of free speech and the threat that political correctness poses to it.
Unfortunately, legally and politically incited attacks against both free speech and comedy are not limited to the United Kingdom. In Canada, politically correct inspired attempts to silence comedians have been instantiated into law. In one alarming case, the Quebec Human Rights Commission awarded Jeremy Gabriel, a disabled former child star, $35,000 in damages after he was ridiculed in a comedy routine by Mike Ward.
It is little wonder, then, that some comedians have seen cause for alarm. Some, like Chris Rock, now refuse to perform on college campuses because of the oversensitivity of some of the students. Others, like legendary Monty Python star John Cleese, have warned that comedians face an “Orwellian nightmare.”
Political correctness is the antithesis of comedy. It is not that comedians have been prevented from practising their craft, but that the pressures political correctness place on them makes it difficult to do so. The comedian feels himself pressured to self-censor himself because of the way words are categorised by their supposed offensive or inoffensiveness. And he finds himself fearful of having his words twisted and misinterpreted to mean something other than what he meant it to mean.
Much of the problem arises from a culture that has elevated politics to something approximating religion. And, like all zealots, the fanatics of this new religion have attempted to conform every aspect of society to their new faith. It is the job of the comedian to make me laugh. It is not his job, as some would have you believe, to play the role of political activist.
Unfortunately, that view is not one held by many on the radical left. In an article for the Sydney Morning Herald, Judith Lucy opined that people wanted to “hear people talk about politics or race.” And it seems that there are people who agree with Lucy. Comedy is not to be used to bring joy to people, but as a platform to espouse politics. Comedy has become a form of propaganda. And it is the liberal agenda that determines what is considered funny and what isn’t.
What the politically correct offer instead of genuinely funny comedy is comedy as a form of political activism. Comedy is to be used to spread progressive ideas and political correctness is to be used to silence that which opposes those ideas. Take, for example, Tim Allen’s sitcom Last Man Standing, which revolved around a conservative protagonist, which was cancelled by the American Broadcasting Company despite its popularity.
And nowhere can this trend of comedy as political activism can be seen more readily than in the current incarnations of late-night television. Legendary comics like Johnny Carson and David Letterman established late-night television as a form of entertainment that provided light-hearted entertainment before sending its audience off to bed. It was not afraid of offending people in order to do so, either. Today, however, this willingness to offend others seems only to be targeted towards those on the right of the political spectrum. It is as though the late-night comedian has decided to use his position to preach progressive politics to its audience rather than using their talent to make insightful and hilarious observations about the world around us. The result is that late-night host places commenting on political or social matters above entertaining his audience.
It is as though the late-night host has replaced humour for indignation. The “jokes” (in reality they are tirades) contain more than a modicum of vitriol and resentment. Samantha Bee referred to Ivanka Trump as a “feckless cunt”, Stephen Colbert accused President Trump of being Vladimir Putin’s “cock holster”, so on and so forth.
While it may seem alarming, it is precisely what happens when comedians see themselves as activists rather than entertainers. As Danna Young, Associate Professor of Communication at the University of Delaware, commented:
“When comics abandon humour and go with anger instead, they come just another ‘outrage’ host. Now, if that’s cool with them, great. But if they are looking to capitalise on the special sauce of humour, then they’ll need to take their anger and use it to inform their craft, but not have it become their craft.”
Fortunately, there is a litany of comedians who refuse to conform their comedy to the morays of political correctness and progressive politics. Numerous comedians have denigrated political correctness as the “elevation of sensitivity over truth” (Bill Maher) and “America’s newest form of intolerance” (George Carlin). Jerry Seinfeld, a man whose comedy routines are considered among the least offensive in comedy, referred to political correctness as “creepy” on Late Night with Seth Meyers. Bill Burr accused social justice warriors of being bullies. Likewise, Ricky Gervais has tweeted “if you don’t believe in a person’s right to say things you find ‘grossly offensive’, you don’t believe in free speech.”
And all of this is not to say that political correctness has destroyed genuinely funny comedy, either. Netflix has spent a great deal of money producing comedy specials that are, in many cases, far for inoffensive. Ricky Gervais comedy special Humanity has featured jokes about rape, cancer, transgenderism, AIDS, and the Holocaust.
Comedy has been threatened by both progressive politics and political correctness. Mark Meechan may have found himself running afoul of the politically correct left, but as long as their people who stand committed to free speech and comedians prepared to make offensive jokes, the laughter will continue.
THE RIDDLE OF INDIVIDUAL RESPONSIBILITY
On November 20th, 1945, twenty-four leaders of the defeated Nazi regime filed into Courtroom 600 of Nuremberg’s Palace of Justice to be tried for some of the most reprehensible crimes ever committed. Over the next ten months, the world would be shocked to learn of the depth and extent of the Nazi regime’s mechanised horrors. By the end of the trial, twelve of the defendants would be sentenced to death, seven would be sentenced to periods of imprisonment, and three would be acquitted.
Contrary to what one may believe, the perpetrators of the Holocaust were not psychopaths, sadists, or otherwise psychologically disturbed individuals. Rather, their actions arose, as psychologist Gustave Gilbert (1911 – 1977) concluded, from a culture which valued obedience. The observation that mass-horror is more likely to be committed by normal men and women influenced by social conformity would later be categorised by Hannah Arendt (1906 – 1975) as the ‘banality of evil.’
This shouldn’t be as too much of a surprise. After all, human beings are hard-wired to obey orders from people they deem superior to themselves. In 1961, Yale Psychologist Stanley Milgram (1933 – 1984) carried out a famous experiment which explored the conflict between authority and personal conscience. Milgram’s experiment was inspired by an interview with the Commandant of Auschwitz, Rudolf Höss (1900 – 1947). Höss was asked how it was possible to be directly involved in the deaths of over a million people without suffering emotional distress. Chillingly, Höss answered that he was merely following orders.
The process of the experiment was simple. Two participants, one who whom was actually a researcher, would draw to decide who would take the role of teacher and who would take the role of student. (The system, needless to say, was rigged to ensure the actual participant took the role of teacher). The teacher and student were then separated, and the teacher was taken to a room with an electric shock generator consisting of a row of switches ranging from fifteen to four-hundred-and-fifty volts. Supervising the teacher was an experimenter in a grey lab coat (an actor in reality). Through the experiment, the teacher was to ask the student questions and administer an electric shock every time the student got a question wrong. As the experiment continued the student would deliberately give wrong answers. As the shocks got more and more severe, the student would scream and beg for mercy. When the teacher expressed concern, however, the experimenter would insist that the experiment continue. By the end of the experiment, Milgram had concluded that all participants would continue to three-hundred volts whilst two-thirds would continue to full volts when pressed.
The Nazis were able to create such obedience through a well-calculated propaganda campaign. Hitler outlined the principles of this campaign in Mein Kampf:
- Keep the dogma simple. One or two points only.
- Be forthright and powerfully direct – tell or order why.
- Reduce concepts down to black and white stereotypes
- Constantly stir people’s emotions
- Use repetition.
- Forget literary beauty, scientific reasoning, balance, or novelty.
- Focus solely on convincing people and creating zealots.
- Find slogans which can be used to drive the movement forward.
Similarly, Hitler’s speeches also followed a very specific and calculated formula:
- Hitler would unify the crowd by pointing out some form of commonality.
- Hitler would stir up feelings of fear and anger by pointing out some kind of existential threat.
- Hitler would invoke himself as the agent of a higher power.
- Hitler would present his solution to the problem.
- Hitler would proclaim the utilisation of the solution as a victory for both the higher power and the commoners.
In essence, the Nazi propaganda machine facilitated feelings of group identity and then used conformity to gain control over that group. They gambled that the majority of people preferred being beholden to a group than identifying as an individual.
If there is any lesson which can be derived from the Holocaust it is that the distance between good and evil is shorter than we like to believe. As clinical psychologist Jordan Peterson is fond of pointing out, if the Holocaust was perpetrated by ordinary people and you’re an ordinary person, the only logical conclusion is that you too are capable of horrendous evil. It is not enough to be critical of those in powers, eternal vigilance means being critical of our own need to conform and obey. Our freedom depends upon it.
THE DEATH OF GOD
This week for our theological article, we will be examining Friedrich Nietzsche’s (1844 – 1900) infamous statement, “God is dead.”
Friedrich Wilhelm Nietzsche (pronounced ‘knee-cha’) was born in Röcken, near Leipzig, on October 15th, 1944. His father, Karl Ludwig Nietzsche (1813 – 1849), was a Lutheran pastor and former teacher, and his mother was Franziska Oehler (1826 – 1897). The Nietzsche family quickly grew to include a daughter, Elisabeth (1846 – 1935), and another son, Ludwig Joseph (1848 – 1850). Unfortunately, the family would be beset by tragedy. In 1849, when Nietzsche was five-years-old, Karl Nietzsche would suffer a devastating brain haemorrhage and die. Then, as if to rub in salt in their wounds, the infant Ludwig Joseph, would die unexpectedly shortly after.
Nietzsche was educated at the prestigious Schulpforta school near Naumburg. There he received an education in theology, classical languages, and the humanities. After graduating, young Nietzsche attended the University of Bonn before moving to the University of Leipzig. During his time there, Nietzsche became acquainted with the philosophy of Arthur Schopenhauer (1788 – 1860) whose work, the World as Will and Representation (1818), would have a tremendous influence. Then, aged only twenty-four, Nietzsche was awarded the position of professor of Greek language and Literature at the University of Basel in Switzerland. He had never written a doctoral dissertation.
Nietzsche left academia briefly to serve as a medical orderly in the Franco-Prussian War (1870-1871). He was discharged due to poor health. Nietzsche returned to Basel where he came acquainted with the cultural historian, Jacob Burckhardt (1818 – 1897), and the composer, Richard Wagner (1813 – 1883). Wagner’s influence on Nietzsche can most readily be seen in the Birth of Tragedy.
During the late 1870s, Nietzsche became increasingly beset with debilitating health problems: digestive problems, poor eyesight, and migraines. He was forced to spend months off work, and eventually agreed to retire with a modest pension. Nietzsche was only thirty-four years old.
From there, Nietzsche devoted the rest of his life to the study and writing of philosophy. Between 1870 and 1889, Nietzsche wrote nineteen books, including: The Birth of Tragedy (1872), Philosophy in the Tragic Age of the Greeks (1873), Human, All Too Human (1878), the Gay Science (1882), Thus Spake Zarathustra (1883), Beyond Good and Evil (1886), On the Genealogy of Morals (1887), Twilight of the Idols (1888), Ecce Homo (1888), and the Will to Power (1901, technically unpublished manuscripts published by his sister, Elisabeth).
In 1889, in Turin Italy, Nietzsche suffered a mental breakdown after seeing a horse being flogged in the Piazza Carlo Alberto. In the following days, Nietzsche sent a series of ‘madness letters’ to Cosimo Wagner (1837 – 1930) and Jacob Burckhardt in which he signed his name ‘Dionysos’, claimed to be ‘the crucified one’, and asserted that he was the creator of the world. It was quickly agreed that Nietzsche should be brought back to Basel. There he was incarcerated in a clinic in Jena.
In 1890, Nietzsche’s mother, Franziska, brought him home to Naumburg where she looked after him until her death in 1897. From there, Nietzsche was cared for by his sister, Elisabeth, in Weimar. He died on August 25th, 1900 at the age of fifty-five.
The statement, “God is dead” is Nietzsche’s most memorable and provocative statement. (Of course, he wasn’t the first one to coin the term. That was Heinrich Heine (1797 – 1856). Nietzsche merely philosophised it). It first appeared in the Gay Science in a fable entitled, the Parable of the Madman. In the parable, the madman asks, ‘where is God?’, only to be informed that God had been killed by man:
“God is dead. God remains dead. And we have killed him. How shall we, murderer of all murderers, console ourselves? That which was holiest and mightiest of all that the world has yet possessed has bled to death under our knives. Who will wipe the blood off us? With what water could we purify ourselves?”
Of course, Nietzsche wasn’t talking about the literal death of God (he was, after all, an atheist). Instead, he was referring to the death of the concept or idea of God. The statement was meant as a reference to the decline of traditional and metaphysical doctrines that had dominated European thought and culture for centuries.
Nietzsche observed, correctly, that western morality was predicated on the presumption of the truth of Judeo-Christian values. Christianity had become infused in European culture and thought. Philosophers and scientists like Copernicus (1473 – 1543), René Descartes (1596 – 1650), Isaac Newton (1643 – 1727), Saint Thomas Aquinas (1225 – 1274), George Berkeley (1685 – 1753), Saint Augustine (354-430AD), Gottfried Wilhelm Leibniz (1646-1716), and more were all deeply influenced by their belief in God. Culturally, Handel’s (1685 – 1759) Messiah, Da Vinci’s (1452 – 1519) the Last Supper, and Michelangelo’s (1475 – 1564) Statue of David are all infused with religious themes.
The decline of Christianity’s supremacy in society began with the Enlightenment. Science replaced scripture. During this time, the belief in a universe governed by God was replaced by governance through the laws of physics, the divine right to rule was replaced with rule by consent, and morality no longer had to emanate from a loving and omniscient God.
The legacy of the Enlightenment, Nietzsche rightly observed, was that Christianity lost its central place in Western culture. (Of course, it can also be argued that Christianity’s central doctrines and tenets have been so absorbed by society people no longer recognise their influence). Science, replete with its elaborate depictions of physical reality, ultimately replaced religious truth.
Nietzsche’s assertion is often seen as a triumphal or victorious statement. However, analysis reveals that Nietzsche did not necessarily see the death of God as a good thing. He recognised that as society moved closer to secularisation, the order and meaning religion gave to society would fall by the wayside. People would no longer base their lives on their religious beliefs, but on other factors. Their lives would not be grounded in anything. As Nietzsche wrote in the Twilight of the Idols:
“When one gives up the Christian faith, one pulls the right to Christian morality out from under one’s feet. This morality is by no means self-evident… Christianity is a system, a whole view of things thought out together. By breaking one main concept out of it, the faith in God, one breaks the whole.”
Nietzsche believed the solution to the problem would be to create our own, individual values. Christian morality (derided by Nietzsche as ‘slave morality’) would be replaced by ‘master morality.’ Human beings would strive to become Übermensches or overmen.
The problem with Nietzsche’s suggestion is that it is virtually impossible to keep society ordered when everyone’s values are different. Furthermore, as Carl Jung (1875 – 1961) points out, it is impossible for us to create our own values. Most of us can’t keep our new year’s resolutions, let alone create a value system that will bring order to society.
Nietzsche, along with Russian novelist, Fyodor Dostoevsky (1821 – 1881), predicted that the 20th Century would be characterised either by apocalyptic nihilism or equally apocalyptic ideological totalitarianism. In the end, the world experienced both. The wake of the Great War (1914 – 1918) saw Europe plagued by communism, fascism, Nazism, and quasi-religious nationalism. In Russia, communism, through which a person’s value was derived from his labour, arose under the Bolsheviks. In Italy, fascism, through which a person’s value was derived from his nationality, arose under Benito Mussolini (1883 – 1945). In Germany, Nazism, through which a person’s value was derived from his race, arose under Adolf Hitler (1889 – 1945). All of these systems attempted to give people’s lives meaning by replacing the state with God.
In the end, the 20th Century would be the deadliest and most destructive in human history. The legacy of two world wars, nuclear weapons, communism, and fascism has been millions of painful and unnecessary deaths. This is what we get when we remove God from society: needless pain and suffering.
MORE INFORMATION ON THE CHARLOTTESVILLE TRAGEDY
Americans are recoiling from the tragic events that occurred in Charlottesville, Virginia yesterday. The tragic succession of events, which saw violence between the Unite the Right protesters and counter-protesters and culminated in a vicious car attack, left nineteen people injured and thirty-two-year-old Heather Heyer dead.
On Monday, President Trump bowed to pressure to name and shame those whose ideology inspired yesterday’s hate crime. Trump stated:
“Racism is evil. And those who cause violence in its name are criminals and thugs, including the KKK, neo-Nazis, white supremacists and other hate groups that are repugnant to everything we hold dear as Americans. Those who spread violence in the name of bigotry strike at the very core of America.”
Political reactions have been swift and damning. Michael McCaul, Republican Congressman from Texas and chairman of the Homeland Security Committee, tweeted:
“We must condemn the hate fueling the violence in #Charlottesville. It does not define us as Americans. Those affected are in my prayers.”
Republican Senator from Texas, Ted Cruz, meanwhile, has called for the Department of Justice to investigate the events of Charlottesville as an act of domestic terrorism. Cruz stated:
“It’s tragic and heartbreaking to see hatred and racism once again mar our great Nation with bloodshed. Heidi’s and my prayers are with the loved ones of those killed and injured in the ongoing violence in Charlottesville. The First Amendment protects the rights of all Americans to speak their minds peaceably, but violence, brutality, and murder have no place in a civilized society. The Nazis, the KKK, and white supremacists are repulsive and evil, and all of us have a moral obligation to speak out against the lies, bigotry, anti-Semitism, and hatred that they propagate. Having watched the horrifying video of the car deliberately crashing into a crowd of protesters, I urge the Department of Justice to immediately investigate and prosecute this grotesque act of domestic terrorism.”
At a press conference on Monday, Charlottesville Police Chief Al Thomas claims police had planned to move the Unite the Right protesters to the rear of Emancipation park. The protesters had originally agreed to cooperate with police. However, police were forced to alter their plans when protesters began entering the park at different locations.
The perpetrator of the attack, James Alex Fields, Jr., a self-confessed admirer of Adolf Hitler, has been charged with second-degree murder, malicious wounding, and failure to stop at the scene of an accident resulting in death. He has been denied bail.
King Alfred Press 