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This week for our cultural article, we will be celebrating the life of Fats Domino: the legendary New Orleans rock ‘n’ roller who died last Tuesday at the age of eighty-nine.
Fats Domino was born Antoine Dominique Domino, Jr. on February 26th, 1928, in New Orleans, Louisiana. He was the youngest of Antoine Caliste Domino’s (1879 – 1964) and Marie-Donatille Gros’ (1886 – 1971) eight children. and introduced him to New Orleans’ music scene, which would be a major influence on his later music. Fats’ came from a musical family. At seven-years-old, he was taught to play the piano by his brother-in-law, Harrison Verret (1907 – 1965). Additionally, Verret also introduced Fats to the New Orleans’ music scene, which would become a major influence on his later music.
By the age of ten, Fats was performing as a singer and a pianist. Four years later, he dropped out of school completely to pursue a career in music. To support himself during this time, Fats took on odd jobs – factory work, hauling ice, and so forth. By 1946, Fats had begun playing leading piano with the well-known New Orleans bass player and bandleader, Billy Diamond (1916 – 2011). It was Diamond who gave Domino the nickname, “Fats”. Years later, Diamond would reminisce:
“I knew Fats from hanging out at a grocery store. He reminded me of Fats Waller and Fats Pichon. Those guys were big names and Antoine—that’s what everybody called him then—had just got married and gained weight. I started calling him ‘Fats’ and it stuck.”
Diamond’s audiences were impressed by Fat’s rare talents and by the end of the 1940s the New Orleans’ pianist had attracted a very substantial following. As a musician, Fats was versed in numerous musical styles – blues, boogie-woogie, ragtime – and had drawn inspiration from pianists like Meade Lux Lewis (1895 – 1964) and singers like Louis Jordan (1908 – 1975).
In 1949, Fats met his long-term collaborator, Dave Bartholomew (1920 – ). Around the same time, Fats signed a record contract with Imperial Records. Fats’ first song with the label, The Fat Man (a play on his own nickname), would sell a million copies and reach number two on the Rhythm and Blues Charts.
Fats stood out as a performer due to the combination of his baritone voice, unique piano-playing style, the saxophone rifts of Herbert Hardesty (1925 – 2016), and the drum after-beats of Earl Palmer (1924 – 2008). The release of Ain’t That A Shame in 1955 exposed Fats to the mainstream public and helped make him the most popular African American rock ‘n’ roll artist. His upward trajectory continued with two film performances in 1956: Shake, Rattle and Rock, and the Girl Can’t Help It, and the recording of five top-forty hits, including, My Blue Heaven, and Blueberry Hill (which reached number two).
By the early 1960s, however, Fats music had lost much of its original popularity. In 1963, he moved to ABC-Paramount Records and parted ways with his long-time collaborator, Dave Bartholomew. The arrangement would be short lived with Fats parting ways with ABC-Paramount, returning to New Orleans, and rekindling his professional relationship with Dave Bartholomew in 1965.
Fats and Bartholomew would collaborate until 1970, culminating in the 1968 cover of The Beatles’ Lady Madonna (ironically, a tribute to Fats Domino in and of itself). During this time, Fats failed to experience significant chart success. In 1986, Fats was inducted into the Rock and Roll Hall of Fame as part of their inaugural lists.
Fats retired from touring following a health scare in Europe in 1995. Outside of the occasional performance at the New Orleans’ Jazz and Heritage Festival, he lived a mostly private life with his wife, Rosemary Hall (1930 – 2008), and his eight children. In 1998, Fats accepted a National Medal of the Arts from President Bill Clinton (1946 – ).
Fats refused to leave New Orleans – and abandon his sick wife – during Hurricane Katrina. His home was badly flooded and he lost most of his possessions. He was rescued by the Coast Guard on September First. Following the disaster, Fats released Alive and Kicking and donated a proportion of the sales to the Tipitana Foundation which helped New Orleans’ struggling musicians.
Following the album’s release, Fats retreated back into private life and largely shunned publicity. In 2008, Rosemary Hall, his wife of fifty years, died of chronic illness. Fats joined her on October 26th, 2017, at the age of eighty-nine.
Fats Domino must be credited as a key pioneer of rock ‘n’ roll. Together with Jerry Lee Lewis (1935 – ) and Little Richard (1932 – ), Fats style of piano playing helped define the new genre of music and inspired dozens of future musicians. No wonder The Rolling Stone Record Guide likened him to Benjamin Franklin (1706 – 1790).
A CBS report has claimed that Iceland has virtually eradicated down-syndrome births through their prenatal screening programs and pro-abortion policies.
According to the CBS report, virtually all Icelandic women whose unborn children test positive for down syndrome opt to have their pregnancy terminated. Icelandic law allows for abortion after sixteen weeks if the fetus is found to be suffering from a deformity. This includes down syndrome.
Iceland introduced prenatal screening tests in the early 2000s. While these tests are optional, the Icelandic Government requires all pregnant women to be informed of them. According to the Landspitali University Hospital in Reykjavik, between eight and eighty-five percent of women opt to do the screening. These screenings use the mother’s age, ultrasounds, and blood tests to determine the likelihood a child will be born suffering a chromosomal problem.
Glenn Beck, a conservative political commentator, slammed Iceland’s virtual eradication of down syndrome births as eugenics. “That’s eugenics”, Beck said, “that is Margaret Sanger’s most base dream: get rid of the undesirables. Get rid of people who can’t really work for a living, don’t really have any quality of life.” Likewise, political humorist, Jim Treacher, tweeted: “later in the show, we’ll look at the looming Nazi menace. But first: ain’t eugenics great?” Similarly, Everybody Loves Raymond star, Patricia Heaton, tweeted: “Iceland isn’t actually eliminating down syndrome. They’re just killing everybody that has it. Big difference.”
A counsellor at an Icelandic hospital commented:
We don’t look at abortion as a murder, we look at it as a thing that we ended. We ended a possible life that may have had a huge complication . . . preventing suffering for the child and for the family. And I think that is more right than seeing it as a murder — that’s so black and white. Life isn’t black and white. Life is grey.”
Except that in this case, it is. Aborting unborn babies purely because they have down syndrome (or any other problem, for that matter) is evil. It is nothing more than social cleansing. As Dr. Peter McCarland, an obstetrician at the National Maternity Hospital in Dublin, commented:
“In Britain, 90% of babies with Down’s Syndrome are aborted before birth. In Iceland, every single baby, 100% of all those diagnosed with Down’s Syndrome, are aborted. There hasn’t been a baby with Down’s Syndrome born in Iceland in the past five years. Denmark is following suit, and is expected to be “Down’s Syndrome-free” by 2030 and these cold and chilling statistics show us exactly where legal abortion is leading the rest of Europe. Legal abortion is leading us to a “Down’s Syndrome-free” world. I can barely type the words. It is utterly heartbreaking. Little wonder that, in Britain, Lord Shinkwin – a member of the House of Lords who has a congenital disability – last week gave a powerful speech pointing out, ‘the writing is on the wall for people like me. People with congenital disabilities are facing extinction’.”
It is morally repugnant to base a person’s right to life on their genetic status or how ‘normal’ they are. Every life is sacred and deserves protection, not just those who have been fortunate enough to born without problems.